begin page 6 | back to top

2. BLAKE AT PRINCETON

The keen eye of Virginia Erdman detected the following item in Princeton Town Topics for November 9, 1967:

BLAKE BOOK HERE

Gift to Princeton. A rare copy of William Blake’s book, “Songs of Innocence and of Experience” has been given to Princeton University and is now on exhibition in Firestone Library.

Hours are 9 a.m. to 6 p.m., Monday through Saturday, and 2 p.m. to 5 p.m. Sundays.

The volume was probably printed in 1815 according to Charles A. Ryskamp, curator of English and American literature for the library. It was printed in red-brown ink, and contains 54 copper-engraved plates, elaborately and brilliantly colored with watercolors and gold.

“Blake’s book is considered by many to be the most beautiful book in the history of English art and poetry and this is certainly one of the finest copies,” says Professor Ryskamp. The volume was the gift of Miss Caroline Newton of Berwyn, Pennsylvania. It was included in the Grolier Club exhibition of Blake’s works in 1905 in New York and at the Philadelphia Museum of Art exhibit in 1939.

The history of the Princeton book can be traced to 1824, when it was sold to the publisher, Edwards. It was subsequently bought by William Beckford the novelist, who assembled the first important Blake collection, and then by Quaritch, the British booksellers, who used it for a begin page 7 | back to top facsimile edition in the 1890’s. Shortly after, it was acquired by William A. White, one of the greatest Blake collectors.

Professor Ryskamp points out that Princeton’s copy is complete, with 54 leaves; other existing volumes are incomplete. It is identified as copy “U” in the census of Blake’s illuminated books compiled by Sir Geoffrey Keynes and Edwin Wolf II.

We went to see this copy and found that the Firestone Library was also exhibiting a number of other works, most of them on loan from Miss Newton. The following items were included:

Illuminated books: In addition to copy U, copy j of the Songs of Innocence and of Experience (posthumous); copy D of America; copy L of Visions of the Daughters of Albion (probably colored by Mrs. Blake).

Engraved sets: Illustrations of the Book of Job (large-paper page proofs); For the Sexes: the Gates of Paradise (title page, frontispiece, plates 1, 7-13, 18-19).

Engravings from books: 4 plates after Fuseli from A New and Improved Roman History by Charles Allen (1798); Wilson Lowry (proof copy of fourth state, engraved with Lowry for Rees’ Cyclopedia); “Tornado”, after Fuseli, from the third edition (1795) of Erasmus Darwin’s Botanic Garden, Part II.

Engraving: Canterbury Pilgrims, fourth state.

Books: Poetical Sketches, Blair’s Grave illustrated by Blake, Botanic Garden Part I (five engravings by Blake after Fuseli), and Hayley’s Ballads and Little Tom the Sailor, both with illustrations designed and engraved by Blake.

Drawings: Watercolor of Hayley’s design for the Cowper monument (one of three copies made by Blake); wash drawing “Job and His Family Restored to Prosperity”; and four pencil drawings. One of these showing a male and a female figure, is identified as “for a rejected illustration for Comus.” One of the others is a sketch of what seems to be a theatrical production, with a male figure wearing a plumed hat or helmet. Another shows several horses, one of which wears a plumed headdress of some kind and is harnessed to something (a chariot?) unshown. Another horse appears to be reading a book opened on the ground while a woman wearing a bandana milks her; a third is unmistakably horselaughing.

Manuscript: Fair copy in Blake’s hand of “I asked a thief to steal me a peach.”

Color prints: From A Small Book of Designs (copy B)—plate 9 of The First Book of Urizen, inscribed “Eternally I labour on”; and plate 11 of The Marriage of Heaven and Hell, inscribed “Death & Hell”/“Teem[e] with Life”. [In both inscriptions, the quotation marks are in the original.]

Also: Rivington and Cochrane’s catalog for 1824, advertising the Songs (copy U) at 8 guineas and The Grave at £1 16s.

Print Edition

  • Publisher
  • Department of English, University of California
  • Berkeley, CA, USA
    • Editor
    • Morton D. Paley
    • Contributors
    • S. Foster Damon
    • Alvin H. Rosenfeld
    • Laurence Goldstein

    Digital Edition

    • Editors:
    • Morris Eaves, University of Rochester
    • Robert Essick, University of California, Riverside
    • Joseph Viscomi, University of North Carolina at Chapel Hill
    • Managing Editor
    • Joe Fletcher
    • Assistant Editor Editor
    • Michael Fox
    • Previous Project Manager and Technical Editor
    • William Shaw
    • Adam McCune
    • Managing Editor Blake/An Illustrated Quarterly
    • Sarah Jones
    • Project Director and Assistant Project Manager
    • Grant Glass
    • Project Coordinator, University of Rochester:
    • Eric Loy
    • Scanning:
    • UNC Digital Production Center
    • XML Encoding:
    • Apex CoVantage
    • Additional Transcription:
    • Adam McCune
    • Jennifer Park
    • Emendations:
    • Rachael Isom
    • Mary Learner
    • Adam McCune
    • Ashley Reed
    • Jennifer Park
    • Scott Robinson
    • XSLT Development:
    • Adam McCune
    • Joseph Ryan
    • William Shaw
    • PHP and Solr Development:
    • Michael Fox
    • Adam McCune
    • Project Assistants:
    • Lauren Cameron,
    • Rachael Isom,
    • Mary Learner,
    • Jennifer Park,
    • Ashley Reed,
    • Adair Rispoli,
    • Scott Robinson
    • Sponsors
    • Funders
    • Blake/An Illustrated Quarterly
    • William Blake Archive
    • Carolina Digital Library and Archives
    • Use Restrictions
    • Copyright © 2019 Blake/An Illustrated Quarterly, all rights reserved. Items in this digital edition may be shared in accordance with the Fair Use provisions of U.S. copyright law. Redistribution or republication on other terms, in any medium, requires express written consent from the editors and advance notification of the publisher. Permission to reproduce the graphic images in this digital edition rests with the owning institutions.