Volume 10 · Issue 2

Fall 1976

article pdf · issue pdf

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CONTRIBUTORS

Mary and Rodney Baine both teach English at the University of Georgia. They are currently working on a book about Blake’s animal symbolism.

Robert N. Essick, Pasadena, California, is a frequent contributor to the Blake Newsletter.

Thomas Minnick, Ohio State University, is our Bibliographer. He wishes to acknowledge the assistance of Susan A. Hoyt in searching the art-historical bibliography for the Checklist.

Judith Ott is a University Fellow working toward a Ph.D. in Art History at Ohio State University. “The Illuminations of William Blake’s Jerusalem” is her dissertation topic.

Photographic credits: p. 47, Aethelred and Alexandra Eldridge (Golgonooza); p. 48, 49 (col. 1), Harvard College Library, Dept. of Printing and the Graphic Arts; p. 49, (col. 2), National Gallery of Art, Washington, Rosenwald Collection; p. 50, Bibliotheque Publique de Dijon; p. 53, Robert N. Essick collection; p. 54, Colin Franklin collection. Cover and inside cover: detail from pl. 78 of Blake’s Jerusalem, Harvard College Library, Dept. of Printing and the Graphic Arts.

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The Blake Newsletter, An Illustrated Quarterly, is published four times a year under the sponsorship of the Department of English of the University of New Mexico.

Editors: Morris Eaves, University of New Mexico, and Morton D. Paley, Boston University.

Bibliographer: Thomas Minnick, Ohio State University.

Associate Editor for Great Britain: Francis A. Carey, Assistant Curator, Department of Prints & Drawings, British Museum.

Editorial Assistant: Michael Hays, University of New Mexico.

Circulation Manager: Jane Welford, University of New Mexico.

Manuscripts are welcome. Send two copies, typed and documented according to the forms suggested in the MLA Style Sheet, 2nd ed., to either of the editors: Morris Eaves, Dept. of English, Univ. of New Mexico, Albuquerque NM 87131; Morton D. Paley, Dept. of English, Boston Univ., Boston Mass. 02215.

Subscriptions are $5 for one year, one volume, four issues. Special rate for individuals, $4 for one year, surface mail. For subscribers overseas who want to receive their issues by air mail, $8. U.S. currency or international money order if possible. Make checks payable to the Blake Newsletter. Address all subscription orders and related communications to Jane Welford, Blake Newsletter, Univ. of New Mexico, Albuquerque NM 87131.

Some back issues are available. Address Jane Welford. Prices: whole numbers 1-8, bound together, whole numbers 9-13, bound together, $5 each (special rate for individuals, $4). Whole numbers 22, 23, 24, 25, 26, 27, 28, 32, 33, 34, 36, 37, $2 each. Whole number 20 (A Handlist of Works by William Blake in the Department of Prints & Drawings of the British Museum, ed. G. E. Bentley, Jr.) and whole number 35 (A Checklist of the Blake Material in the Lessing J. Rosenwald Collection, Alverthorpe Gallery, ed. Ruth Lehrer), $3 each. Whole numbers 14-19, 21 are out of print. The International Standard Serial Number of the Blake Newsletter is 0006-453X.

Design and layout for this issue: Jean Stalker and Michael Hays, University of New Mexico.

Copyright © 1976 by Morris Eaves & Morton D. Paley

Print Edition

  • Publisher
  • Department of English, University of New Mexico
  • Albuquerque, NM, USA
    • Editors
    • Morris Eaves
    • Morton D. Paley
    • Bibliographer
    • Thomas Minnick
    • Associate Editor for Great Britain
    • Frances A. Carey
    • Editorial Assistant
    • Michael Hays
    • Circulation Manager
    • Jane Welford
    • Contributors
    • Mary Baine
    • Rodney Baine
    • Robert N. Essick
    • Thomas Minnick
    • Judith Ott

    Digital Edition

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    • Copyright © 2019 Blake/An Illustrated Quarterly, all rights reserved. Items in this digital edition may be shared in accordance with the Fair Use provisions of U.S. copyright law. Redistribution or republication on other terms, in any medium, requires express written consent from the editors and advance notification of the publisher. Permission to reproduce the graphic images in this digital edition rests with the owning institutions.