news

begin page 57 | ↑ back to top

GOLGONOOZA, OHIO

AEThel- gRAM s or, Hammers StRuck in GolgonoozA by AEthelRed Eldridge — published by GolgonoozA, The Church of William BLAKE R.R. 1, MILLFIELD, OHIO 45761 — copyRight GolgonoozA 1928 AE 20-9-78 FRONT COVER | . A Gigantic WoRld; pitifully, humanly scaled! And when the Giant Awakes—out of that dis-inte- GRative rubble ‘rouses the TRUE MAN.’ the Absurd Reduction BoRn of No Last chance. “Without Con- TRaRies, no PRogress.” Without Progress, no Fallacy Of Contradiction. | “.... for it is not by Measure that He gives the SpiRit!” And “No one receives anything, Except that Heaven gives it.” | To whet, to wit The damascene obscenities of Split-tongue, Silver- Quickened Ironies, I speak on Wednesdays thusly: “To what I See, have Seen & Heard, I am the BeaReR And the Witness” | And these inclusive Here, aRE AEThel-GRams; or, Hammers Struck in GolgonooZA. Glad sloughings they aRe, adding to The Hillock: The Mere, the Dun deposit, ex cathedRa, hastening intRans- Igient the Self-hood made of Death boRne-up ExcRementitious. No Fact, no Fictive, wafting Phantasy. Eye-witnessings come of the Giant Who’s AbsuRd! | “AnotheR England I have seen, Another London with its ToweR, another Thames— And Other Hills...” | TheRe aRe moRe GRassy Knolls In Ohio than one can shake a stick-at. And Puffs of Lamb-tail smoke. The faintly RepeRcussive One-Shot ’Round the World of GyRing gyRes HeRe. The scRying Of Out-langish Heaven’s Hellish MaRRiage, once and Now, Espouses HeRE six Stoney Night JaRs, and theiR whites Of Eyeballs quaking on the shelf. (TuRn to the BACK CoveR foR MoRe of the Scribe of ScRim, thin AuThoR of UpholsteRy Who Hails the Depth of SKIN — AETHELRED.)

Print Edition

  • Publisher
  • Department of English, University of New Mexico
  • Albuquerque, NM, USA
    • Editors
    • Morris Eaves
    • Morton D. Paley
    • Editorial Assistant in Charge
    • Susan Corban
    • Editorial Assistants
    • Peter Chase
    • Wendy Jones
    • Cindy Lewiecki
    • Kris Lackey
    • Bibliographer
    • Thomas Minnick
    • Associate Editor for Great Britain
    • Frances A. Carey
    • Contributors
    • Martin Butlin
    • Susan Fox
    • Thomas R. Frosch
    • Robert F. Gleckner
    • Thomas V. Lange
    • N.G.D. Malmqvist
    • Morton D. Paley
    • Warren H. Stevenson
    • Robert H. Tener
    • Raymond E. Thompson

    Digital Edition

    • Editors:
    • Morris Eaves, University of Rochester
    • Robert Essick, University of California, Riverside
    • Joseph Viscomi, University of North Carolina at Chapel Hill
    • Project Manager
    • Joe Fletcher
    • Technical Editor
    • Michael Fox
    • Previous Project Manager and Technical Editor
    • William Shaw
    • Project Director
    • Adam McCune
    • Project Coordinator, UNC:
    • Natasha Smith, Carolina Digital Library and Archives
    • Project Coordinator, University of Rochester:
    • Sarah Jones
    • Scanning:
    • UNC Digital Production Center
    • XML Encoding:
    • Apex CoVantage
    • Additional Transcription:
    • Adam McCune
    • Jennifer Park
    • Emendations:
    • Rachael Isom
    • Mary Learner
    • Adam McCune
    • Ashley Reed
    • Jennifer Park
    • Scott Robinson
    • XSLT Development:
    • Adam McCune
    • Joseph Ryan
    • William Shaw
    • PHP and Solr Development:
    • Michael Fox
    • Adam McCune
    • Project Assistants:
    • Lauren Cameron,
    • Rachael Isom,
    • Mary Learner,
    • Jennifer Park,
    • Ashley Reed,
    • Adair Rispoli,
    • Scott Robinson
    • Sponsors
    • Funders
    • Blake/An Illustrated Quarterly
    • William Blake Archive
    • Carolina Digital Library and Archives
    • Use Restrictions
    • Copyright © 2015 Blake/An Illustrated Quarterly, all rights reserved. Items in this digital edition may be shared in accordance with the Fair Use provisions of U.S. copyright law. Redistribution or republication on other terms, in any medium, requires express written consent from the editors and advance notification of the publisher. Permission to reproduce the graphic images in this digital edition rests with the owning institutions.