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The first number in the reference is the whole number of the issue (nos. 53-56); the second is the page within the issue. Thus, 56:206 signifies whole number 56, page 206.


Baine, Rodney M., Bromion’s “Jealous Dolphins,” 56:206-07

Bentley, G. E., Jr., Blake’s Trial Documents, 53:37-39

Bentley, G. E., Jr., The Circle Without a Center (rev. of Tyson), 55:145-47

Bentley, G. E., Jr., God’s Plenty (rev. of Bindman, Complete Graphic Works), 55:161-63

Bentley, G. E., Jr., Young’s Night Thoughts (London: R. Edwards, 1797): A New Unillustrated State, 53:34-35

Bindman, David, The Dead Ardours Revisited, 56:211 (Response to Erdman, q.v.)

Bindman, David, rev. of Essick, 54:106-07

Curran, Stuart, rev. of Easson and Easson, eds., 55:138-43

Dilworth, Thomas, Blake’s Argument with Newberry in “Laughing Song,” 53:36-37

Dörrbecker, Detlef W., see Minnick, Thomas L.

Egerton, Judy, rev. of Bindman, ed., John Flaxman, 53:22-30

Erdman, David V., Leonora, Laodamia, and the Dead Ardours, 54: 96-98

Essick, Robert N., with the assistance of Thomas V. Lange, Blake in the Marketplace, 1978-79, 53:4-21

Essick, Robert N., Blake’s “Enoch” Lithograph, 56:180-84

Essick, Robert N., rev. of Alexander and Godfrey (exhibition), 56:220-23

Fischer, Michael, rev. of Johnson and Grant, eds., 56:215-16

Frosch, Thomas R., rev. of Stuart, 56:224-28

Frykman, Erik, rev. of Malmqvist, 56:217-18

Gleckner, Robert F., W. J. Linton’s Tailpieces in Gilchrist’s Life of William Blake, 56:208-11

Grant, John E., rev. of Damon, 55:131-35

Hilton, Nelson, Blake and the Mountains of the Mind, 56:196-204

Hilton, Nelson, rev. of Lentricchia, 56:212-14

Hilton, Nelson, rev. of Quilligan, 55:135-37

La Belle, Jenijoy, Michelangelo’s Sistine Frescoes and Blake’s 1795 Color-Printed Drawings: A Study in Structural Relationships, 54:66-84

Lange, Thomas V., Blake in American Almanacs, 54:94-96

Lange, Thomas V., see also Essick, Robert N.

Lindberg, Bo Ossian, rev. of Lindsay, 55:164-74

Lister, Raymond, A Letter from Benjamin Disraeli to Anne Gilchrist, 54:99

Miller, Ann Bermingham, rev. of Wilton, Constable, 55:128-29

Minnick, Thomas L., with the assistance of Detlef W. Dörrbecker and Kazumitsu Watarai, Blake and His Circle: A Checklist of Recent Scholarship, 54:85-93

Mitchell, W. J. T., rev. of Essick and Pearce, eds., 55:116-20

Murray, E. B., rev. of Bentley, 55:148-61

Ostriker, Alicia, rev. of Todd, 55:129-31

Paley, Morton D., John Trivett Nettleship and his “Blake Drawings,” 56:185-94

Paley, Morton D., rev. of Harrison, 54:104-05

Read, Dennis M., A New Blake Engraving: Gilchrist and the Cromek Connection, 54:60-64

Simpson, David, rev. of Phillips, 55:121-27

Strickland, Edward, John Dennis and Blake’s Guinea Sun, 54:36

Todd, Ruthven, “Poisonous Blues” and Other Pigments, 53:31-34

Trawick, Leonard, rev. of Wittreich, 54:100-02

Trowbridge, Hoyt, rev. of Jackson, 55:143-45

Vaughan, William, rev. of Wilton, Watercolours, 56:218-19

Warner, Nicholas O., Blake’s Moon-Ark Symbolism, 54:44-59

Watarai, Kazumitsu, see Minnick, Thomas L.

Wilton, Andrew, rev. of Godfrey, 54:102-04


Blake and His Circle: A Checklist of Recent Scholarship, 54:85-93

Blake and the Mountains of the Mind, 56:196-204

Blake in the Marketplace, 1978-1979, 53:4-21

Blake’s “Enoch” Lithograph, 56:180-84

Blake’s Argument with Newberry in “Laughing Song,” 53:36-37

Blake’s Moon-Ark Symbolism, 54:44-59

Blake’s Trial Documents, 53:37-39

Bromion’s “Jealous Dolphins,” 56:206-07

The Dead Ardours Revisited, 56:211

John Dennis and Blake’s Guinea Sun, 53:36

John Trivett Nettleship and his “Blake Drawings,” 56:185-94

Leonora, Laodamia, and the Dead Ardours, 54:96-98

A Letter from Benjamin Disraeli to Anne Gilchrist, 54:99

Michelangelo’s Sistine Frescoes and Blake’s 1795 Color-Printed Drawings: A Study in Structural Relationships, 54:66-84

A New Blake Engraving: Gilchrist and the Cromek Connection, 54:60-64

“Poisonous Blues” and Other Pigments, 53:31-34

W. J. Linton’s Tailpieces in Gilchrist’s Life of William Blake, 56:208-11

Young’s Night Thoughts (London: R. Edwards, 1797): A New Unillustrated State, 53:34-35


Alexander, David, and Richard T. Godfrey, Painters and Engraving: The Reproductive Print from Hogarth to Wilkie (an exhibition), 56:220-23

Bentley, G. E., Jr., William Blake’s Writings, 2 vols., 55: 148-61.

Bindman, David, ed., with the assistance of Deidre Toomey, The Complete Graphic Works of William Blake, 55:161-63

Bindman, David, ed., John Flaxman, 53:22-30

Damon, S. Foster, with an index by Morris Eaves, A Blake Dictionary, 55:131-35

Easson, Kay Parkhurst, and Roger R. Easson, eds., The Book of Urizen, 55:138-43

Eaves, Morris, see Damon, S. Foster

Essick, Robert N., William Blake’s Relief Inventions, 54:106-07

Essick, Robert N., and Donald R. Pearce, eds., Blake in His Time, 55:116-20

Godfrey, Richard T., Printmaking in Britain, A General History from Its Beginnings to the Present Day, 54:102-04

Godfrey, Richard T., see also Alexander, David

Grant, John E., see Johnson, Mary Lynn

Harrison, J. C. F., The Second Coming, Popular Millenarianism 1750-1850, 54:104-05

Jackson, Wallace, The Probable and the Marvelous: Blake, Wordsworth, and the Eighteenth-Century Critical Tradition, 55:143-45

Johnson, Mary Lynn, and John E. Grant, eds., Blake’s Poetry and Designs, 56:215-16

Lentricchia, Frank, After the New Criticism, 56:212-14

Lindsay, Jack, William Blake: His Life and Work, 55:164-74

Malmqvist, Göran, ed. and trans., En Ö på Månen [An Island in the Moon], 56:217-18

Pearce, Donald R., see Essick, Robert N.

Phillips, Michael, ed., Interpreting Blake, 55:121-27

Quilligan, Maureen, The Language of Allegory: Defining the Genre, 55:135-37

Stuart, Simon, New Phoenix Wings: Reparation in Literature, 56:224-28

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Todd, Janet, ed., A Wollstonecraft Anthology, 55:129-31

Toomey, Deirdre, see Bindman, David

Tyson, Gerald P., Joseph Johnson: A Liberal Publisher, 55:145-47

Wilton, Andrew, British Watercolours 1750-1850, 56:218-19

Wilton, Andrew, Constable’s ‘English Langscape Scenery’, 55:128-29

Wittreich, Joseph Anthony, Jr., Visionary Poetics: Milton’s Tradition and His Legacy, 54:100-02


53 (Vol. 14, no. 1)

Blake, Frontispiece to Innocence, Songs of Innocence and of Experience, copy D, 6

Blake, “Every Man also Gave Him a Piece of Money,” 8

Blake, “The Miracle of the Loaves and Fishes,” 9

Blake, “Saint Paul Shaking off the Viper,” 4

John Flaxman, “Slay-good,” 16

John Flaxman, “Come thou Blessed,” 23

John Flaxman, “Monument to George Steevens,” 24

John Flaxman, “Self-Portrait,” 25

John Flaxman, “Study of a woman and child,” 27

John Flaxman, “A sleeping man,” 28

John Flaxman, “Deliver the Captive,” 29

John Flaxman, “Ulysses terrified by the Ghosts,” 30

56 (Vol. 14, no. 2)

Blake, “The Angelic Boat Wafting Over the Souls for Purgation,” 45

Blake, detail, Jerusalem 18, 46

Blake, Jerusalem 20, 47

Blake, details, Jerusalem 24 and 39, 49

Blake, “Noah’s Ark,” 50

Anonymous, “Le retour de la coulombe a l’àrche,” 51

Anonymous, “Christ Calming the Sea,” 52

Anonymous, “The City of Dis,” 52

Blake, Jerusalem 25 and 33, 54

Assyrian Winged Moon on Assyrian Cylinder, 55

Blake, “Tauri Lunati,” 56

Blake, “Epitome of James Hervey’s ‘Meditations Among the Tombs’,” 57

Blake, “Joshua Crossing Jordan,” 58

Cromek after Blake, Frontispiece to Malkin’s A Father’s Memoirs of His Child, 62

Blake’s own engraving of his design for the frontispiece to Malkin’s Memoirs, 63

Domenico Cunigo after Michelangelo, Frescoes on the Sistine Ceiling engraved in outline, 68-9

Michelangelo, Creation of Adam, 70

Blake, Elohim Creating Adam, 70

Michelangelo, Creation of Eve, 71

Blake, Satan exulting over Eve, 71

Michelangelo, The Fall and the Expulsion, 72

Blake, God Judging Adam, 73

Blake, House of Death, 74

Blake, Nebuchadnezzar, 74

Blake, The Good and Evil Angels, 75

Michelangelo, Creation of the Sun and Moon, 75

Blake, Lamech and His Two Wives, 78

Blake, Naomi Entreating Ruth and Orpah, 78

Blake, Pity, 79

Blake, Hecate, 79

Michelangelo, Erythraean Sibyl, 80

Blake, Newton, 81

Blake, Christ Appearing to the Apostles, 82

Michelangelo, Head of one of the ignudi, 83

Wood engraved illustrations from The People’s Almanac, 1834 and 1836, 94

Blake’s design for Stedman’s Narrative, vol. I, p. 182, 95

Blake, “The dead ardours,” and sketch on verso—a revenant?, 97

55 (Vol. 14, no. 3)

Engraving of Moses Haughton’s portrait of Joseph Johnson, 145

J. K. Lavater, Aphorisms on Man, p. 169, 157

L. Schiavonetti after T. Phillips, William Blake, 164

56 (Vol. 14, no. 4)

George Cumberland, inscription on verso of Blake’s “Enoch,” 182

Blake’s “Enoch,” 182

John Trivett Nettleship, “God with eyes turned inward upon his own glory,” 186

J. T. Nettleship, pencil drawings, 186

J. T. Nettleship, title page for Epic of Women by Arthur W. E. O’Shaugnessy, 187

J. T. Nettleship, illustration for “A Neglected Harp” in Epic of Women, 187

J. T. Nettleship, illustration for “A Troth for Eternity” in Epic of Women, 187

E. J. Ellis, pencil drawing, 188

J. T. Nettleship, autotype with inscription, “FIRST PLEASURE, NEXT AMBITION’S CROWN / LAST DEATH ITSELF IS TRAMPLED DOWN,” 188

J. T. Nettleship, two pencil drawings, 189

J. T. Nettleship, autotype, 190

J. T. Nettleship, “Madness,” autotype in sepia, 190



J. T. Nettleship, “HIGHER, NOT NIGHER, WE ASPIRE,” 192


Lucas van Leyden, “Calvary,” 198

Hogarth, Industry and Idleness, pl. XI, “The Idle ’Prentice Executed at Tyburn,” 199

Blake, Milton, copy C, pl. 3, 201

Albrecht Dürer, “Crucifixion,” from the Small Passion, 203

Goltzius after Raphael, “The Triumph of Galatea,” 207

W. J. Linton, Tailpieces[e] from Gilchrist, Vol. 1, pp. 126 and 233, 208

Blake, Job 12, 209

Tailpiece from Gilchrist, Vol. I, p. 160, 210

Tailpieces from Gilchrist, Vol. I, pp. 304, 367; Vol. II, p. 24, 210

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