begin page 118 | back to top

Two Blakes Reappear and Make Three

Two Blake drawings listed in my Paintings and Drawings of William Blake, 1981, as untraced since 1949 have now reappeared in the United States. They are my no. 177, “Head of a Bearded Man in Profile, possibly from the Antique” (reproduced as Butlin pl. 214), and no. 592, “Satan between Two Angels (?)” (Butlin pl. 828). My last record for these drawings was that they were bought by the London booksellers Maggs at the Graham Robertson sale at Christie’s on 22 July 1949. It now appears that they were in the collection of the late Edward Dickinson of New York State whose widow sold them to Giuliano Ceseri; “Satan between Two Angels (?)” still belongs to him, while the other drawing has passed to his associate Joel L. Fletcher, also of Lafayette, Louisiana.

The exciting news is that when the later drawing was removed from its old mount a further drawings, similar in general composition but with the main figure in reverse, was found on the back. Unfortunately this new discovery does not help the present writer towards any closer identification of the subject, save that it does perhaps reinforce my first thought that the central, Orc-like figure is holding vials rather than the sun and the moon; some force or element seems to be projected from each of these towards the possibly demonic figures in the lower corners of the composition. Besides the parallels given in my catalogue entry there seem to be begin page 119 | back to top similarities with certain of the illustrations in Jerusalem and also to those of the unfinished illuminated copy of the Book of Genesis in the Huntington Library.

Thanks to fresh measurements given me (in centimeters)

William Blake.   Verso of “Satan between Two Angels(?).” (c. 1815-20?). Courtesy of Giuliano Ceseri.
by Fletcher I am able to give slightly revised dimensions for the two drawings. No. 177 is 5 11/16 × 5 3/16 in. (14.5 × 13.2 cm) and no. 592 is 4½ × 8¼ in. (11.4 × 20.6 cm.).

Print Edition

  • Publisher
  • Department of English, University of New Mexico
  • Albuquerque, NM, USA
    • Editors
    • Morris Eaves
    • Morton D. Paley
    • Bibliographer
    • Thomas L. Minnick
    • Review Editor
    • Nelson Hilton
    • Associate Editor for Great Britain
    • Frances A. Carey
    • Production Office
    • Morris Eaves
    • Morton D. Paley
    • Thomas L. Minnick
    • Nelson Hilton
    • Frances A. Carey
    • Managing Editor
    • Robin Tawney
    • Editorial Assistants
    • Leslie Donovan
    • Contributors
    • G.E. Bentley, Jr.
    • Martin Butlin
    • D. W. Dörrbecker
    • Robert N. Essick
    • Mary V. Jackson
    • James McCord
    • Jerome J. McGann
    • Thomas L. Minnick

    Digital Edition

    • Editors:
    • Morris Eaves, University of Rochester
    • Robert Essick, University of California, Riverside
    • Joseph Viscomi, University of North Carolina at Chapel Hill
    • Project Manager
    • Joe Fletcher
    • Technical Editor
    • Michael Fox
    • Previous Project Manager and Technical Editor
    • William Shaw
    • Project Director
    • Adam McCune
    • Project Coordinator, UNC:
    • Natasha Smith, Carolina Digital Library and Archives
    • Project Coordinator, University of Rochester:
    • Sarah Jones
    • Scanning:
    • UNC Digital Production Center
    • XML Encoding:
    • Apex CoVantage
    • Additional Transcription:
    • Adam McCune
    • Jennifer Park
    • Emendations:
    • Rachael Isom
    • Mary Learner
    • Adam McCune
    • Ashley Reed
    • Jennifer Park
    • Scott Robinson
    • XSLT Development:
    • Adam McCune
    • Joseph Ryan
    • William Shaw
    • PHP and Solr Development:
    • Michael Fox
    • Adam McCune
    • Project Assistants:
    • Lauren Cameron,
    • Rachael Isom,
    • Mary Learner,
    • Jennifer Park,
    • Ashley Reed,
    • Adair Rispoli,
    • Scott Robinson
    • Sponsors
    • Funders
    • Blake/An Illustrated Quarterly
    • William Blake Archive
    • Carolina Digital Library and Archives
    • Use Restrictions
    • Copyright © 2015 Blake/An Illustrated Quarterly, all rights reserved. Items in this digital edition may be shared in accordance with the Fair Use provisions of U.S. copyright law. Redistribution or republication on other terms, in any medium, requires express written consent from the editors and advance notification of the publisher. Permission to reproduce the graphic images in this digital edition rests with the owning institutions.