checklist
begin page 100 | ↑ back to topBlake and His Circle: A Checklist of Recent Publications
This year’s checklist testifies to the continuing high level of activity and productivity by scholars of William Blake and his circle. As has become our custom, an asterisk beside an entry on the following list identifies an item that we have not examined personally.
Compiling this checklist is an occupation made lighter by the thoughtful scholars who have sent along offprints or notices of their own recent publications or of the work of their students and colleagues. It is always a pleasure for us to record our gratitude to those contributors.
T.L.M.
Part I
William Blake
Editions, Translations, Fascimiles, Reproductions
*1. Blake, William. Annotations to Richard Watson: An Apology for the Bible in a Series of Letters Addressed to Thomas Paine, 8th ed., 1797. Ed. G. Ingli James. Regency Reprints, 1st ser. Cardiff: University College Cardiff Press, 1984.
*2. Blake, William. Blake’s America: A Prophecy and Europe: A Prophecy—Facsimile Reproductions of Two Illuminated Books. Fine Art Series. New York, N.Y.: Dover, 1983. $6.95 [There are 35 color plates.]
3. Blake, William. The Four Zoas: The Torments of Love and Jealousy in the Death and Judgment of Albion the Ancient Man, derived from [Blake’s] original drawings, engravings and the manuscript dated 1797. Ed. Landon Dowdey, assisted by Patricia Hopkins Rice. Chicago, Ill.: Swallow Press, 1983. [The first edition consists of 3000 copies. This is neither a scholarly edition nor a facsimile. Dowdey has done away with Blake’s line divisions, introduced punctuation, and changed Blake’s tenses. The editor advises his readers: “ . . . out of such communion with the poet, create in your imagination your own poem, your own vision—vaguely perceived perhaps; . . . ” (p. v.). The edition includes reproductions from new infra-red photographs of the drawings in the Vala MS.]
*4. Blake, William. Songs of Experience. New York: N.Y.: Dover, 1984.
*5. Bryant, Jacob. A New System; or, An Analysis of Ancient Mythology. 3 vols. 2nd ed. 1775; rpt. Ed. Burton Feldman and Robert D. Richardson, Jr. Myth and Romanticism, 5. New York, N.Y. and London: Garland Publishing, 1984.
6. Keynes, Geoffrey L., and Peter Davidson, eds. A Watch of Nightingales. London: The Stourton Press, 1981. [A limited edition of 400 copies. This anthology has been “built around” a nightingale poem which was etched by Cumberland and has been attributed to Blake by the late Sir Geoffrey Keynes.]
See also item 45 for a complete reproduction of Jerusalem.
Bibliographies, Bibliographical Essays, Exhibition Catalogues
7. Allen, Robert R., ed. The Eighteenth Century: A Current Bibliography, NS 4 (1978). New York, N.Y.: AMS Press, 1981. [Blake entries will be found on 282-87.]
8. Bennett, James R. “The Comparative Criticism of Blake and Wordsworth: A Bibliography.” The Wordsworth Circle, 14 (1984), 99-106.
9. Bentley, G.E., Jr. “The 1821 Edwards Catalogue.” Blake/An Illustrated Quarterly, 17 (1984), 154-56.
10. Butlin, Martin. “Paintings and Drawings of William Blake (1981): Some Minor Additions.” Blake/An Illustrated Quarterly, 17 (1984), 159.
begin page 101 | ↑ back to top11. Essick, Robert N. “A Supplement to The Separate Plates of William Blake: A Catalogue.” Blake/An Illustrated Quarterly, 17 (1984), 139-44.
12. Fabian, Bernhard. “William Blake (1757-1827).” In his Von Chaucer bis Pinter: Ausgewählte Autorenbibliographien zur englischen Literatur. Athenäum Taschenbücher: Literaturwissenschaft, 2154. Königstein i. Ts.: Athenäum, 1980, pp. 14-18.
13. de Groot, H.B., with the assistance of Susan Douglas-Drinkwater. “Blake and the Ancients.” [Ontario]: n.p., n.d. [This catalogue accompanied an exhibition of works by Blake, his contemporaries, and his followers that was shown at University College from 17-21 January 1983 and at the Thomas Fisher Rare Books Library from 25 January to 28 February 1983. After his introductory essay, the author lists 36 items, including engravings by Blake and drawings by Romney, Flaxman, Palmer, and Richmond, and numerous etchings by the Ancients.]
14. Jing-yu, Gu. “Unlisted Articles on Blake Published in China.” Blake/An Illustrated Quarterly, 17 (1984), 157-59.
15. Korshin, Paul J., and Robert R. Allen, eds. The Eighteenth Century: A Current Bibliography, NS 5 (1979). New York, N.Y.: AMS Press, 1983. [See 347-65 and s.v. “Blake” in the index; the more extensive reviews are listed in part IV, below.]
16. Minnick, Thomas L., and Detlef W. Dörrbecker. “Blake and His Circle: A Checklist of Recent Publications.” Blake/An Illustrated Quarterly, 17 (1983), 62-76.
17. Modern Language Association of America. “Blake, William (1757-1827).” In 1982 MLA International Bibliography of Books and Articles on the Modern Languages and Literatures. Vol. 1: “Classified Listings.” New York, N.Y.: MLA, 1983 [i.e., 1984], 57-59. [See also s.v. “Blake” in the subject index for further references.]
18. Newey, Vincent, Bryan Burns, and Philip Dodd. “The Nineteenth Century: Romantic Period.” In The Year’s Work in English Studies, vol. 61 (1980). Ed. James Redmond. [London]: John Murray, for the English Association, 1982, see pp. 259-62.
*19. Piquet, François. “Blake: Songs of Innocence, Songs of Experience, The Book of Thel, The Marriage of Heaven and Hell, America, Visions of the Daughters of Albion, Vala or The Four Zoas (Nights II & III), The Everlasting Gospel—Bibliographie sélective et critique.” Bulletin de la Société d’études Anglo-Américaines des XVIIe Siècles, 15 (1982), 43-66.
20. Smith, Michael, ed. Annual Bibliography of English Language and Literature for 1980, vol. 55. London: Modern Humanities Research Association, 1983. [Blake entries listed on pp. 352-57 as items 6495 to 6581.]
21. Walker, Dean. “Aspects of Blake and the Art of His Time.” Ackland Art Museum Newsletter, no. 16 (1984), n. pag. [The eight pages of this issue are devoted to a brief catalogue of an exhibition held at the Ackland Art Museum at the University of North Carolina at Chapel Hill. There is an introduction by Innis H. Shoemaker, an essay and a “Checklist of Exhibited Works” which, among its 31 items, includes four drawings on loan from the estate of the late Gregory Bateson.]
See also item 53, Gizzi.
Critical Studies
*22. Ackland, Michael. “Blake’s Critique of Enlightenment Reason in The Four Zoas.” Colby Literary Quarterly, 19 (1983), 173-89.
23. Adams, Hazard. “The Blakean Symbolic.” In his Philosophy of the Literary Symbolic. Tallahassee and Gainesville, Fl.: University Presses of Florida, 1983, pp. 99-116. $37.50 cloth, $17.50 paper. [See also pp. 5-12 of the introduction for “Some Blakean and Vichean Views.”]
*24. Adams, Hazard. William Blake: A Reading of the Shorter Poems. 1963; rpt. Philadelphia, Pa.: Richard West, 1983.
25. Anderson, Mark Ransom. “Apollyon’s Bow: Perspective, Reading, and Meaning in the Illuminated Works of William Blake.” Dissertation Abstracts International, 44 (1984), 2475A-2476A (Cornell University, 1983). [“Recent theories of reader response have tended to conclude that the reader’s role in a work of art is largely predetermined by the author’s intention or by the structure of the text; Blake’s works argue against that conclusion. The prophetic tradition (especially as practiced by Spenser and Milton), and his own ideas of the sublime (antithetical to those of Burke and Kant), led him to the belief that a truly prophetic work of art must reflect the spiritual, or imaginative, state of each individual member of its audience. His poems are therefore constructed so as to mean different things according to the different perspectives from which they may be read.”]
26. Avens, Roberts [sic]. Blake, Swedenborg, and the Neo-Platonic Tradition, with an introduction by Dr. George F. Dole. New York, N.Y.: The Swedenborg Foundation, n.d. [1983]. [Ten pages of text to accompany the Swedenborg Foundation’s film “Blake: The Marriage of Heaven and Hell”; see Blake/An Illustrated Quarterly, 17 (1983), 38.]
*27. Behrendt, Stephen C. The Moment of Explosion: Blake and the Illustration of Milton. Lincoln, Nebr.: University of Nebraska Press, 1983.
28. Bender, John, and Anne K. Mellor. “Liberating the Sister Arts: The Revolution of Blake’s ‘Infant begin page 102 | ↑ back to top Sorrow.’ ” ELH, 50 (1983), 297-319.
29. Bentley, G.E., Jr. “Blake and the Ancients: A Prophet with Honour Among the Sons of God.” In Essays on the Blake Followers. Ed. Robert R. Wark. San Marino, Cal.: Henry E. Huntington Library and Art Gallery, 1983, pp. 1-17. [Published simultaneously in the Huntington Library Quarterly, 46 (1983), 1-17; this paper—with others by Robert N. Essick, Shelley M. Bennett, and Morton D. Paley (q.v.)—was delivered as part of a symposium on “Prints by the Blake Followers” at the Huntington Library and Art Gallery on 13 February 1982.]
30. Bentley, G.E., Jr. “Charles Parr Burney as a Blake Collector.” Blake/An Illustrated Quarterly, 17 (1983), 16.
31. Bidney, Martin. “Structures of Perception in Blake and Whitman: Creative Contraries, Cosmic Body, Fourfold Vision.” ESQ: A Journal of the American Renaissance, 28 (1982), 36-47.
32. Birenbaum, Harvey. Tragedy and Innocence. Washington, D.C.: University Press of America, 1983. [As the title page indicates, this volume consists “of a treatise on the psychology of tragedy together with an essay on the vision of William Blake, the two comprising a study in the nature of myth, symbolism and consciousness.” “Blake’s Myth of Innocence” is pages 97-159.]
*33. Brinkley, Robert A. “Blake and the Prophecy of Satan.” New Orleans Review, 9 (1982), 73-76.
34. Brisman, Leslie. “Re: Generation in Blake.” In his Romantic Origins. Ithaca, N.Y. and London: Cornell University Press, 1978, pp. 224-75.
35. Christensen, Bryce J. “The Apple in the Vortex: Newton, Blake and Descartes.” Philosophy and Literature, 6 (1982), 147-61.
36. Cope, Kevin Lee. “The Criteria of Certainty: Philosophical Currents in the Literature of the English Enlightenment.” Dissertation Abstracts International, 44 (1984), 2152A (Harvard University, 1983). [“This dissertation offers an aesthetic history of the answers provided by the English Enlightenment to the question, ‘what constitutes certainty?’ . . . The final chapter turns to Hume, Blake, and Coleridge. These writers not only subordinate magnificent systems to the author organizing them, but also long for some still higher foundation for that still more elusive system, the author himself. . . .”]
37. Copland, James Alexander. “The Influence of Old Testament Versification on English Poetry after 1750.” Dissertation Abstracts International, 43 (1983), 3918A (University of Toronto, Canada, 1982). [“ ‘The majestic rhythms of the King James Bible’ and, behind them, the parallelism of Biblical Hebrew prosody, are widely held to have influenced the prosody and rhythm of Christopher Smart’s Jubilate Agno, James Macpherson’s The Poems of Ossian, William Blake’s three major prophecies, and Walt Whitman’s Leaves of Grass. This thesis is an examination of that claim. . . . In Chapter III, I look for this rhythmic parallelism in Smart, Macpherson, Blake and Whitman, finding it in only a relatively few lines in Blake. . . .”]
38. Corti, Claudia. “La Bibbia ‘infernale’ di William Blake.” Rivista di Letterature moderne e comparate, NS 36 (1983), 123-31.
*39. Crehan, Stewart. Blake in Context. Dublin: Gill and Macmillan, 1984. £20.
*40. Damon, S. Foster. Blake’s Job: William Blake’s Illustrations of the Book of Job. 1966; rpt. Hanover, N.H.: University Press of New England, for Brown University Press, 1982.
41. Davies, J.M.Q. “ ‘ Embraces are Cominglings’: Passion and Apocalypse in Blake’s Paradise Regained Designs.” Durham University Journal, NS 43 (1981), 75-96.
42. De Luca, V.A. “Blake and the Two Sublimes.” pp. 93-105 in Harry C. Payne, ed., Studies in Eighteenth-Century Culture. Volume 11. Madison: University of Wisconsin Press, 1983.
43. Dilworth, Thomas. “The Hands of Milton: Blake’s Multistable Image of Self-Annihilation.” Mosaic, 16 (1983), 11-27.
*44. DiSalvo, Jackie. War of Titans: Blake’s Critique of Milton and the Politics of Religion. Pittsburgh, Pa.: University of Pittsburgh Press, 1984. $35.00.
45. Doskow, Minna. William Blake’s Jerusalem: Structure and Meaning in Poetry and Picture. Rutherford, Madison and Teaneck, N.J.: Fairleigh Dickinson University Press; East Brunswick, N.J., London and Toronto: Associated University Presses, 1982. [The appendix to this study is made up by a complete reprint of the 1955 Beechhurst Press facsimile of the Rinder copy (C) of Jerusalem.]
*46. Duffy, H. “Un visionnaire: William Blake.” Vie des Arts, 27, No. 110 (1983), 62-63.
*47. Ellis, Helen B., and Warren U. Ober. “Grendel and Blake: The Contraries of Existence.” In John Gardner: Critical Perspectives. Eds. Robert A. Morace and Kathryn van Spanckeren. Carbondale, Ill.: Southern Illinois University Press, 1982, pp. 42-61.
48. Erdman, David V. “Redefining the Texts of Blake (Another Temporary Report).” Blake/An Illustrated Quarterly, 17 (1983), 4-15.
49. Essick, Robert N. “John Linnell, William Blake, and the Printmaker’s Craft.” In Essays on the Blake Followers. Ed. Robert R. Wark. San Marino, Cal.: Henry E. Huntington Library and Art Gallery, 1983, pp. 18-32. [Published simultaneously in the Huntington Library Quarterly, 46 (1983), 18-32.]
50. Essick, Robert N. “Some Unrecorded States, Printings, and Impressions of Blake’s Graphic Works.” begin page 103 | ↑ back to top Blake/An Illustrated Quarterly, 17 (1984), 130-38.
51. Franci, Giovanna, ed. William Blake: mito e linguaggio. Collezione Biblioteca, 16. Pordenone: Edizioni Studio Tesi, 1983. [This handsomely produced paperback volume contains a selection of essays by Vita Fortunati on Blake’s “apocalyptic city,” by Stefania D’Ottavi on “metapoetic aspects” of the names in his mythology, by Paola Colaiacomo on Blake’s rhymes in the “Introduction” to Innocence, by Claudia Corti on Blake as the “maestro” of Joyce, by Pamela Dunbar on Blake’s use and interpretation of the Bible, by Renato Barilli on Blake as one of the first “moderns,” by Sergio Givone on Blake and philosophy, by Gianni Scalia on Blake as the prophet of revolution, by Roman Jakobson on the verbal art of Blake and other poet-painters (trans. from an essay first published in 1970), and by the editor on irony and prophecy in Blake. There are 29 illustrations, and the slip-cased volume sells at Lit. 15000.]
*52. Gillespie, Diane Filby. “A Key to Blake’s Job: Design XX.” Colby Library Quarterly, 19 (1983), 59-68.
53. Gizzi, Corrado, ed. Blake e Dante. Milan: Nuove edizioni Gabriele Mazzotta, 1983. [This volume, published in conjunction with an exhibition of twenty-three of Blake’s Dante watercolors at the Casa di Dante in Abruzzo, combines a set of color plates from all the works on show with tiny halftone reproductions of the complete run of the watercolors and engravings in this series. The reproductions are accompanied by a number of scholarly essays by Renato Barilli, Fortunato Bellonzi, Martin Butlin, Claudia Corti, Luigi Paolo Finizio, Ursula Hoff, Ferruccio Ulivi, and the editor.]
54. Glen, Heather. Vision and Disenchantment: Blake’s Songs and Wordsworth’s Lyrical Ballads. Cambridge: Cambridge University Press, 1983. £25. [Part of the edition is available in the Cambridge Paperback Library series.]
55. Gourlay, Alexander S. “An Emendation in ‘The Chimney Sweeper’ of Innocence.” Blake/An Illustrated Quarterly, 17 (1983), 16-17.
56. Gourlay, Alexander S., and John E. Grant. “The Melancholy Shepherdess in Prospect of Love and Death in Reynolds and Blake.” Bulletin of Research in the Humanities, 85 (1982), 169-89.
*57. Grčić, Marko. “William Blake.” Forum, 38 (1979), 155-81.
*58. Greco, Norma A. “Blake’s ‘The Little Girl Lost’: An Initiation into Womanhood.” Colby Library Quarterly, 19 (1983), 144-54.
59. Greenberg, Mark L. “Blake’s ‘Science.’ ” Studies in Eighteenth-Century Culture, 12 (1983), 115-30.
*60. Hammacher, Abraham M. Phantoms of the Imagination: Fantasy in Art and Literature from Blake to Dali. Trans. Tony Langham and Plym Peters. New York, N.Y.: Abrams, 1981.
61. Heppner, Christopher. “The Woman Taken in Adultery: An Essay on Blake’s ‘Style of Designing.’ ” Blake/An Illustrated Quarterly, 17 (1983), 44-60.
*62. Hilton, Nelson. Literal Imagination: Blake’s Vision of Words. Berkeley, Cal., Los Angeles, Cal. and London: University of California Press, 1983.
63. Hogan, Joseph David. “Milton, Blake’s Orpheus: Theory of Poetry, Poetry as Theory.” Dissertation Abstracts International, 43 (1983), 3920A (University of Colorado at Boulder, 1982). [“William Blake’s Orphic epic, Milton, presents a theory of poetry as a power to shape the world. . . . Blake, endeavoring to write an epic, has to justify the authority of the epic to pronounce on the world. Milton, his prelude to Jerusalem, presents this justification. When Milton, like Orpheus, descends into the underworld and resumes his emanation, Ololon (his Eurydice), he reclaims poetry from the false tongue and regenerates it as a vehicle for the visionary warfare of Eden. Poetry becomes the vehicle for a theory of poetry and of the world.”]
64. Howard, Seymour. “Blake, Classicism, Gothicism, and Nationalism.” In Transactions of the Sixth International Congress on the Enlightenment/Actes du Sixième Congrès international des Lumières, Brussels, July 1983. Oxford: The Voltaire Foundation at the Taylor Institution, 1983, p. 132. [A resumé of Howard’s conference paper.]
65. Kelley, Theresa M. “A Minute Particular in Blake’s Songs of Innocence, Copy O.” Blake/An Illustrated Quarterly, 17 (1983), 18-19.
*66. Kobayashi, Keiko. “Blake no Hohō: Job-ki Sashie no Hajime to Owari.” In his Yamakawa Kōzō Kyōju Taikan Kinen Ronbunshū. Toyonaka: n.p., 1981, pp. 232-48.
67. Larrissy, Edward. “Blake’s America: An Early Version?” Notes and Queries, NS 30 (1983), 217-19.
*68. Larrissy, Edward. “A Description of Blake: Ideology, Form, Influence.” In 1789: Reading, Writing, Revolution—Proceedings of the Essex Conference on the Sociology of Literature, July 1981. Ed. Francis Barker, et al. Colchester: University of Essex, 1982, pp. 101-09.
69. LeBris, Michel. “Blake oder das innere Jerusalem.” In his Die Romantik in Wort und Bild. Trans. Elfie Riegler. Geneva: Editions d’Art Albert Skira; Stuttgart: Verlagsgemeinschaft Ernst Klett-J.G. Cotta’sche Buchhandlung, 1981, pp. 63-69.
*70. LeBris, Michel. Romantics and Romanticism. Trans. Barbara Bray and Bernard C. Swift. New York, N.Y.: Rizzoli International, 1981. [Contains chapters on Blake, Fuseli, et al.]
71. Lee, Judith. “Ways of Their Own: The Emanations of Blake’s Vala, or The Four Zoas.” ELH: A Journal of English Literary History, 50 (1983), 131-53.
72. Lee, Richard V. “The Generalist: A Jaundiced View. XXVI. A Message from Mister William Blake.” begin page 104 | ↑ back to top The American Journal of Medicine, 75 (1983), 902-04. [Dr. Lee, of the Department of Medicine of Children’s Hospital of Buffalo, New York, begins by mentioning the great Blake exhibit—at New Haven and Toronto—of 1982-83 but goes on to discuss Blake’s “message” in general.]
73. Lincoln, Andrew. “Blake’s Lower Paradise: The Pastoral Passage in The Four Zoas, Night the Ninth.” Bulletin of Research in the Humanities, 84 (1981), 470-78.
74. Lister, Raymond. “The National Gallery and Blake’s ‘Spiritual Form of Pitt Guiding Behemoth.’ ” Blake/An Illustrated Quarterly, 17 (1983-1984), 105-06.
75. Maheux, Anne. “An Analysis of the Watercolor Technique and Materials of William Blake.” Blake/An Illustrated Quarterly, 17 (1984), 124-29.
76. Mayoux, Jean-Jacques. “William Blake, illuminé.” In his Vivants piliers II: Sous de vastes portiques—études de littérature et d’art anglais. Paris: Les Lettres Nouvelles, Maurice Nadeau & Papyrus, 1981, pp. 59-71.
*77. Middleton, Peter. “The Revolutionary Poetics of William Blake—Part I: The Critical Tradition.” In 1789: Reading, Writing, Revolution—Proceedings of the Essex Conference on the Sociology of Literature, July 1981. Ed. Francis Barker, et al. Colchester: University of Essex, 1982, pp. 110-18.
78. Middleton, Peter. “The Revolutionary Poetics of William Blake: Part II—Silence, Syntax, and Spectres.” The Oxford Literary Review, 6 (1983), 35-51.
79. Mitchell, W.J.T. “Metamorphoses of the Vortex: Hogarth, Turner, and Blake.” In Articulate Images: The Sister Arts from Hogarth to Tennyson. Ed. Richard Wendorf. Minneapolis, Minn.: University of Minnesota Press, 1983, pp. 125-68. [This is Mitchell’s contribution to the Hagstrum festschrift.]
*80. Mourão Ferreira, David. “Traduzindo William Blake.” Loreto, 13 (1979), 23-30. [On translating Blake’s poetry into Portuguese.]
81. Munson, Rita. “Blake ‘Night.’ ” UNISA English Studies, 22 (1984), 7-13.
82. Noble, Andrew. “Burns, Blake, and Romantic Revolt.” In The Art of Robert Burns. Eds. Ronald D.S. Jack and Andrew Noble. Critical Studies Series. London: Vision Press; Totowa, N.J.: Barnes and Noble, 1982, pp. 191-214.
83. Ostrom, Hans Ansgar. “British Romantic Verse Satire.” Dissertation Abstracts International, 44 (1983), 177A (University of California, Davis, 1982). [“ . . . I believe that the achievements of Burns, Crabbe, Blake, Byron, and Shelley in satire demonstrate that the British Romantics were as much a ‘revisionary company’ as they were a ‘visionary company’. . . . That is, to envision new social, political, and imaginative orders, they often felt the need first to sweep away old ones.” Tiriel and The Marriage of Heaven and Hell are among the works discussed.”]
84. Ott, Judith. “Iris & Morpheus: Investigating Visual Sources for Jerusalem 14.” Blake/An Illustrated Quarterly, 17 (1984), 149-54.
85. Paley, Morton D. The Continuing City: William Blake’s Jerusalem. Oxford: Clarendon Press, 1983.
86. Paley, Morton D. “The Fourth Face of Man: Blake and Architecture.” In Articulate Images: The Sister Arts from Hogarth to Tennyson. Ed. Richard Wendorf. Minneapolis, Minn.: University of Minnesota Press, 1983, pp. 184-215. [This is Paley’s contribution to the Hagstrum festschrift.]
*87. Pauchard, Jean. “ ‘The Blossom’: Une visualisation.” In Visages de l’harmonie dans la littérature angloaméricaine. Reims: Centre de Recherche sur l’Imaginaire dans les Littératures de Langue Anglaise à l’Université de Reims, 1982, pp. 61-70.
88. Paulson, Ronald. “Blake’s Bible.” In his Book and Painting—Shakespeare, Milton and the Bible: Literary Texts and the Emergence of English Painting. The Hodges Lectures, [3]. Knoxville, Tenn.: University of Tennessee Press, 1982, pp. 115-24.
89. Paulson, Ronald. “Blake’s Lamb-Tiger.” In his Representations of Revolution (1789-1820). New Haven, Conn. and London: Yale University Press, 1983, pp. 88-110.
90. Paulson, Ronald. “Blake’s Revolutionary Tiger.” In Articulate Images: The Sister Arts from Hogarth to Tennyson. Ed. Richard Wendorf. Minneapolis, Minn.: University of Minnesota Press, 1983, pp. 169-83. [This is Paulson’s contribution to the Hagstrum festschrift.]
91. Piquet, François. “ ‘Techniques infernales’: Blake e le Livre.” Romanticisme, no. 43 (1984), 5-18.
*92. Piquet, François. “ ‘Un arbre empoisonné’ et la généalogie blakienne du sacré.” Bulletin de la Société d’Etudes Anglo-Américaines des XVIIe et XVIIIe Siècles, 14 (1982), 75-89.
93. Punter, David. “Blake: Social Relations of Poetic Form.” Literature and History, 8 (1982), 182-205.
94. Ramalho de Sousa Santos, Maria Irene. “Blake no tempo: Introdução ao poeta com traduções inéditas de Paulo Quintela.” Biblos: Revista de Faculdade de Letras, 57 (1981), 677-751. [Thirty pages of introductory materials are followed by forty pages with a bilingual English-Portuguese “edition” of Blake’s poetry.]
*95. Ravindran, S. “The Book of Thel and Threefold Occult Vision.” Indian Journal of English Studies, NS 3 (1982-1983), 1-12.
*96. Reisner, M.E. “William Blake and Westminster Abbey.” In Man and Nature—Proceedings of the Canadian Society for Eighteenth-Century Studies/L’Homme et la nature—Actes de la Société Canadienne d’études du Dixhuitième Siècle. Vol. 1. Eds. Roger L. Emerson, Gilles begin page 105 | ↑ back to top Girard, and Roseann Runte. London, Ont.: Faculty of Education at the University of Western Ontario, 1982, pp. 185-98.
97. Richardson, Bruce Alan. “William Blake’s Jerusalem as History Painting.” Dissertation Abstracts International, 44 (1983), 1462A (University of California, Los Angeles, 1983). [“The difficult designs of William Blake’s Jerusalem can be better understood than they are now if seen as a response to the practices and problems of English history painters. Despite his angry opposition to Sir Joshua Reynolds, Blake supported history painting. . . . The first three chapters study Jerusalem as a fulfillment of the art and experiences of John Flaxman, Henry Fuseli, and George Romney. The last three essays examine antique sculpture, death scenes, and the artist-hero as thematic and structural devices in Jerusalem.”]
*98. Singh, Gurbhagat. “Lacan, Lévi-Strauss and William Blake: A Note on The Four Zoas.” Literary Criterion, 16 (1982), 56-65.
99. Sosnowski, Terry Ford. “Music of an Angel’s Tongue: Meter and Prosodic Devices in the Lyrics of William Blake.” Dissertation Abstracts International, 44 (1983), 494A (Case Western Reserve University, 1983). [“The Poetical Sketches show that Blake was equipped with all the usual literary meters and had tried to extend them beyond their usual limits. Beginning with Songs of Innocence, the lyrics restore not only the beauty of the illuminated page but also the form of ancient English poetry as Blake found it described by Bishop Percy in his Reliques of Ancient English Poetry and as he found it surviving in the nursery rhymes, ballads, and hymns that comprise much of English poetry in the folk tradition.]
100. Spector, Sheila. “Kabbalistic Sources—Blake’s and His Critics’.” Blake/An Illustrated Quarterly, 17 (1983-1984), 84-101.
*101. Spittles, Brian. “Arkenholz Discovering Beulah: Strindberg’s Blakean Vision in Spöksonaten.” Scandinavica, 20 (1981), 145-70.
*102. Steinberg, Robert E. “The Experiential and Theoretical Basis of Dante’s and Blake’s Writings.” In Dante in the Twentieth Century. Ed. Adolph Caso. Dante Studies, 1. Boston, Mass.: Dante University of America Press, 1982, pp. 25-43.
103. Stemmler, Joan K. “Cennino, Cumberland, Blake and Early Painting Techniques.” Blake/An Illustrated Quarterly, 17 (1984), 145-49.
104. Stock, R.D. “Religious Love and Fear in Late Eighteenth Century Poetry: Smart, Wesley, Cowper, Blake.” In his The Holy and the Daemonic form Sir Thomas Browne to William Blake. Princeton, N.J.: Princeton University Press, 1982, pp. 314-73.
105. Syamken, Georg. “ ‘Human Form Divine.’ ” In Luther und die Folgen für die Kunst. Exhb. cat. Ed. Werner Hofmann. Munich: Prestel-Verlag, for the Kunsthalle Hamburg, 1983, pp. 402-13. [Discusses a number of works by Blake and Fuseli in the context of Lutheran[e] and Calvinist concepts of art.]
106. Taylor, Dena. “A Note on William Blake and the Druids of Primrose Hill.” Blake/An Illustrated Quarterly, 17 (1983-1984), 104-05.
107. Thorpe, Douglas Joseph. “Metaphor as Building in Pearl, Herbert’s Temple, and Blake’s Jerusalem.” Dissertation Abstracts International, 44 (1983), 1095A (University of Washington, 1983). [“In this study of three of England’s greatest religious poets—the Pearl-Poet, Herbert, and Blake—I wish to show how each grounds his own poetics in what I shall call a Biblical Poetics, which is a theory of metaphorical language implicit in the Bible and more particularly in the parables of Jesus. Thus the central purpose of this work is an analysis of metaphorical language in the particular context of the religious poem: what such language is, and what it claims to do.”]
108. Van Pelt, William Vern. “The Gates of Paradise: A Study of Images of Desire in the Poetry and Illustrations of William Blake.” Dissertation Abstracts International, 44 (1984), 2776A-2777A (University of California, Santa Cruz, 1983). [“This dissertation examines the verbal and visual imagery of Blake’s composite art, focusing on the two versions of The Gates of Paradise entitled For Children (1793) and For the Sexes (1818). The images in this work are treated as ‘images of desire’ not only because they invite the reader to enter into a participatory and interpretive response to the work, ‘rouzing the faculties of act’ and entreating us to ‘leave mortal things,’ but also because they tell the story of human desire from its inception in the womb to its final release in the tomb.”]
109. Warner, Nicholas O. “Blake’s ‘I Saw a Chapel All of Gold.’ ” Explicator, 41, No. 4 (1983), 24-26.
*110. Warner, Nicholas O. “ ‘The Eye Altering Alters All’: Blake and Esthetic Perception.” Colby Library Quarterly, 19 (1983), 18-28.
*111. Warner, Nicholas O. “The Iconic Mode of William Blake.” Rocky Mountain Review of Language and Literature, 36 (1982), 219-34.
112. Warner, Nicholas O. “Shaw, Tolstoy and Blake’s Russian Reputation.” Blake/An Illustrated Quarterly, 17 (1983-1984), 102-04.
113. Zeigelman, Lois. “Blake, the Druids, and the Regeneration of Generation.” University of Hartford Studies in Literature, 15 (1983), 13-32.
Part II
Blake’s Circle
General Studies
114. Bennett, Shelley M. “The Blake Followers in the Context of Contemporary English Art.” In Essays on begin page 106 | ↑ back to top the Blake Followers. Ed. Robert R. Wark. San Marino, Cal.: Henry E. Huntington Library and Art Gallery, 1983, pp. 33-47. [Published simultaneously in the Huntington Library Quarterly, 46 (1983), 33-47.]
115. Wark, Robert R., ed. Essays on the Blake Followers. San Marino, Cal.: Henry E. Huntington Library and Art Gallery, 1983. [Also published as the first, i.e. Winter, issue of the Huntington Library Quarterly, 46 (1983). The essays presented here are all based on talks at a symposium held at the Huntington on 13 February 1982.]
James Barry
116. Masheck, J.D.C. “Irish Gothic Theory Before Pugin.” Studies: An Irish Quarterly Review, 70 (1981), 206-19. [Discusses the role of Barry, Burke, and other Irishmen in the rediscovery of the Gothic.]
*117. Pressly, William L. “ ‘Antiochus and Stratonice’: A Copy after a Lost Painting by James Barry.” Worcester Art Museum Journal, 4 (1980-1981), 12-27.
*118. Pressly, William L. “ ‘Scientists and Philosophers’: A Rediscovered Print by James Barry.” Royal Society of Arts Journal, 129 (1981), 510-15.
119. Solkin, David H. “A Landscape Drawing by James Barry.” Master Drawings, 21 (1983), 408-09.
Edward Calvert
See items 114, Bennett; 115, Wark; and 165, Cannon-Brookes.
William Cowper
120. Dilworth, Thomas. “Cowper’s ‘Lines Written During a Period of Insanity.’ ” Explicator, 42 (1984), 8-10.
*121. Hutchings, Bill. The Poetry of William Cowper. London and Beckenham, Kent: Croom Helm, 1982.
*122. King, James, and Charles Ryskamp, eds. The Letters and Prose Writings of William Cowper. Vol. IV: “Letters, 1792-1799.” Oxford: Clarendon Press, 1984. [“This final volume of letters charts Cowper’s friendship with the mercurial William Hayley, . . . ”]
123. Newey, Vincent. Cowper’s Poetry: A Critical Study and Reassessment. Liverpool English Texts and Studies, 20. Liverpool: Liverpool University Press; New York, N.Y.: Barnes and Noble, 1982.
124. Priestman, Martin. Cowper’s Task: Structure and Influence. Cambridge: Cambridge University Press, 1983. £19.50.
125. Trickett, Lionel. “Cowper, Wordsworth, and the Animal Fable.” Review of English Studies, NS 34, (1983), 471-80.
See also item 104, Stock.
Robert Hartley Cromek
126. Read, Dennis M. “Practicing ‘The Necessity of Purification’: Cromek, Roscoe, and Reliques of Burns.” Studies in Bibliography, 35 (1982), 306-19. [On Cromek’s 1808 edition of Burns.]
Erasmus Darwin
127. King-Hele, Desmond. “Shelley and Erasmus Darwin.” In Shelley Revalued: Essays from the Gregynog Conference. Ed. Kelvin Everest. Leicester: Leicester University Press, 1983, pp. 129-46.
John Flaxman
128. Archer, Mildred. “Neo-Classical Sculpture in India.” Apollo, 120 (1984), 50-55. [Discusses some of Flaxman’s tomb sculptures at Madras, Tanjore; and Ghazipur.]
129. Bentley, G.E., Jr. “Flaxman’s Drawings for Pilgrim’s Progress.” In Woman in the 18th Century and Other Essays. Ed. Paul Fritz and Richard Morton. Toronto, Ont. and Sarasota, Fl.: Samuel Stevens/Hakkert, 1976, pp. 245-78.
130. Bentley, G.E., Jr. “Flaxman’s ‘Sports of Genius’: ‘The Casket’ as an Illustrated Poem.” Harvard Library Bulletin, 31 (1983), 256-84. [A discussion of Flaxman’s illustrated poem of 1812, complete with a transcription of the text and a descriptive catalogue of the wash drawings which are housed at the Houghton Library of Harvard University.]
131. Berkowitz, Roger M. “The Patriotic Fund Vases: Regency Awards to the Navy.” Apollo, 113 (1981), 104-05. [A brief discussion of Flaxman’s designs for the Trafalgar Vase.]
132. Hunt, Leslie B. “The Mystery of the Galvanic Goblet.” Burlington Magazine, 126 (1984), 347-48. [Executed by Paul Storr of Rundell, Bridge & Rundell from a design by Flaxman in 1814, the “Galvanic Goblet” represents an early example of the electroplating process.]
*133. Irwin, David. “Sentiment and Antiquity: European Tombs 1750-1830.” In Mirrors of Mortality: Studies in the Social History of Death. Ed. Joachim Whaley. London: Europa Publications, 1981.
134. Poprzęcka[e], Maria. “Flaxman 1793—Picasso 1903.” In Tessera: sztuka jako przedmiot badań. Cracow: Muzeum Narodowe w Krakowie i Wydawnictwo Literackie, 1981, pp. 206-14. [A comparison of Flaxman’s “Hector and Andromache” with Picasso’s “La vie.”]
*135. Symmons, Sarah. Flaxman and Europe: The Outline Illustrations and Their Influence. Outstanding Theses from the Courtauld Institute of Art. New York, N.Y. and London: Garland Publishing, 1984 [forthcoming].
See also item 156, Gehren.
Henry Fuseli
136. Chayes, Irene H. “Between Reynolds and Blake: Eclecticism and Expression in Fuseli’s Shakespeare begin page 107 | ↑ back to top Frescoes.” Bulletin of Research in the Humanities, 85 (1982), 140-68. [Discusses Fuseli’s Roman wash drawings and their position in late 18th-century art; the frescoes which are envisioned in these sketches were never executed, of course.]
137. Halsband, Robert. “Fuseli and The Rape of the Lock,” and “Fuseli’s Disciples.” In his The Rape of the Lock and Its Illustrations 1714-1896. Oxford: Clarendon Press, 1980, pp. 44-67.
138. Mayoux, Jean-Jacques. “La tentation de Füssli.” In his Vivants piliers II: Sous de vastes portiques—études de littérature et d’art anglais. Paris: Les Lettres Nouvelles, Maurice Nadeau & Papyrus, 1981, pp. 111-38.
*139. Meyenburg, B. von. “Von der Weibermacht zur femme fatale bei Johann Heinrich Füssli.” Hafnia, 8 (1981), 7-33.
*140. Michalski, Sergiusz. “Neomanierystczne zjawiska w malarstwie miedzy barokiem a romantyzmem.” In Tradycja i innowacja: Materialy Sesji Stowarzyszenia Historykòw Sztuki. Warsaw: PWN, 1981, pp. 127-45. [Michalski’s essay, based on a paper which he read at the 1979 Lòdź Conference of the Polish Society of Art Historians, discusses neo-mannerist tendencies in the paintings of Boucher, Creti, Giani, and Fuseli.]
141. Paulson, Ronald. “Zoffany and Fuseli: The Miltonic Shakespeare.” In his Book and Painting—Shakespeare, Milton and the Bible: Literary Texts and the Emergence of English Painting. The Hodges Lectures, [3]. Knoxville, Tenn.: University of Tennessee Press, 1982, pp. 124-37.
William Hayley
See item 122, King and Ryskamp.
John Linnell
See items 49, Essick; 114, Bennett; 115, Wark; and 165, Cannon-Brookes.
Samuel Palmer
142. Cecil, [Lord] David. Visionary and Dreamer, Two Poetic Painters: Samuel Palmer and Edward Burne-Jones. 1969; rpt. London: Academy Editions, 1977. [A reprint of Lord Cecil’s Mellon Lecture in the Fine Arts for 1966, which had originally been published in the Bollingen Series XXXV, 15; this entry has been verified for us by Morton D. Paley.]
143. Paley, Morton D. “‘To Realize After a Sort the Imagery of Milton’: Samuel Palmer’s Designs for L’Allegro and Il Penseroso.” In Essays on the Blake Followers. Ed. Robert R. Wark. San Marino, Cal.: Henry E. Huntington Library and Art Gallery, 1983, pp. 48-71. [Published simultaneously in the Huntington Library Quarterly, 46 (1983), 48-71.]
*144. Strudwick, R.F. A Catalogue of Samuel Palmer’s Etchings. n.p., n.d. [London: privately printed for the author, 1982]. [This catalogue of twenty-five pages was printed in a limited edition of only 50 copies.]
See also items 74, Lister; and 165, Cannon-Brookes.
George Richmond
145. Tscherny, Nadia. “George Richmond: Blake’s Strayed Sheep?” Marsyas, 21 (1981-1982), 37-45.
See also items 74, Lister; 114, Bennett; and 115, Wark.
George Romney
146. Allen, Brian. George Romney as a Painter of Children: The 250th Anniversary of His Birth. Exhb. cat. London: Leger Galleries, 1984. $20.00.
147. Burkett, M.E. “George Romney, Portrait Painter.” Antique Collector, 55, No. 5 (May 1984), 72-77.
148. Chan, Victor Chin-keung. “Pictorial Image and Social Reality: George Romney’s Late Drawings of John Howard Visiting Prisoners.” Dissertation Abstracts International, 44 (1983), 1095A (Stanford University, 1983). [“In portraying the drama of hope and despair, of condemption and redemption, Romney’s prison drawings reveal the psychological crisis of a Romantic artist’s longing for liberation of the spirit and express the agony of his struggle.”]
149. [Powney, Christopher, and Edith Powney.] Drawings by George Romney. Exhb. cat. London: Morton, Morris, and Company, 1980. [A fine selection of 81 of Romney’s sketches were on view from 21 October to 7 November 1980, only. The exhibition, however, is documented in this illustrated catalogue. Of particular interest for the Blake scholar is the sequence of six different versions of a design for Romney’s projected painting of “The Fall of the Rebel Angels.”]
150. Rogal, Samuel J. “George Romney’s Portrait of John Wesley.” Eighteenth-Century Life, NS 5 (1978), 38-47.
See also item 175, Pointon.
Thomas Stothard
151. Bennett, Shelley M. “Thomas Stothard’s Adaption to the Semi-Industrial Arts.” Eighteenth-Century Life, NS 7 (1982), 19-30.
152. Finlay, Nancy. “Thomas Stothard’s Illustrations for Parnell’s ‘Hermit.’ ” The Princeton University Library Chronicle, 45 (1984), 174-77.
Thomas Taylor
*153. Taylor, Thomas, trans. The Works of Plato. 5 vols. 1804; rpt. Eds. Burton Feldman and Robert D. Richardson, Jr. Myth and Romanticism, 24. New York, N.Y., and London: Garland Publishing, 1984.
154. Webb, Timothy, ed. English Romantic Hellenism, 1700-1824. Manchester: Manchester University begin page 108 | ↑ back to top Press, 1982. [Includes selections from Thomas Taylor the Platonist, with Webb’s prefatory comments.]
John Varley
*155. Bury, Adrian. “Bi-Centenary of the Birth of John Varley (1778-1842).” Old Water-Colour Society’s Club, 53 (1978), 8-27.
Josiah Wedgwood
*156. Gehren, G. von. “Josiah Wedgwood und die Kunst seiner Zeit.” Weltkunst, 52 (1982), 2283-84. [Outlines Wedgwood’s collaboration with such artists as Flaxman and Stubbs.]
Edward Young
157. Forster, Harold. “The Marriage of Edward Young.” English Language Notes, 21 (1983), 23-29.
Part III
Works of Related Interest
158. Aers, David, Jonathan Cook, and David Punter. Romanticism and Ideology: Studies in English Writing 1765-1830. London: Routledge and Kegan Paul, 1981. $16.50.
159. Bayard, Jane Hildreth. “From Drawing to Painting: The Exhibition Watercolor 1770-1870.” Dissertation Abstracts International, 44 (1983), 308A (Yale University, 1982). [“When exhbitions began in England, watercolor was low in the hierarchy of art, a useful tool for engravers and a cheap form of portraiture. But exhibitions brought watercolor directly to the public eye, and put it in competition with oil painting. This resulted in a revolution of watercolorists’ aims and means: within a generation watercolor grew from tinted drawing to an ambitious form of painting. . . .”]
160. Beckson, Karl, ed. The Memoirs of Arthur Symons: Life and Art in the 1890s. University Park, Pa., and London: Pennsylvania State University Press, 1977. [See s.v. “Blake” in the index.]
161. Bogan, James. “Outside the Toronto Art Gallery.” Blake/An Illustrated Quarterly, 17 (1983), 60. [A poem on the 1982-1983 Toronto Blake exhibition.]
*162. Boulger, James D. The Calvinist Temper in English Poetry. The Hague: Mouton, 1980.
163. Brantley, Richard E. Locke, Wesley, and the Method of English Romanticism. Gainesville, Fl.: University Presses of Florida, 1984. $35.00.
164. Brogan, T.V.F. “Addenda and Corrigenda to English Versification, 1570-1980.” Modern Philology, 81 (1983), 50-52. [For a review of Brogan’s book see Blake/An Illustrated Quarterly, 16 (1982), 125-26.]
165. [Cannon-Brookes, Peter, et al.] The British Neo-Romantics, 1935-1950. Exhb. cat. London: Fischer Fine Art; Cardiff: National Museum of Wales, 1983. [A few works by Blake, Linnell, Calvert, and Palmer (items 1-18) served to illustrate the roots of neo-romantic artists such as Ayrton, Craxton, Jones, Piper, and Sutherland.]
166. Cave, Kathryn, ed. The Diary of Joseph Farington. Vols. XI-XII (January 1811-December 1813). Studies in British Art. New Haven, Conn. and London: Yale University Press, for the Paul Mellon Centre for Studies in British Art, 1983.
167. Cook, Eleanor, Chaviva Hosek, Jay Macpherson, Patricia Parker, and Julian Patrick, eds. Centre and Labyrinth: Essays in Honour of Northrop Frye. Toronto: University of Toronto Press, 1983. $30.00.
168. Dickinson, H.T., ed. The Political Works of Thomas Spence. Newcastle upon Tyne: Avero Publications, 1982. £4.74.
*169. Eichner-Dixon, Peter. Studien zum Verhältnis von Dichtung und Malerei im englischen Neoklassizismus des 18. Jahrhunderts. Europäische Hochschulschriften/ European University Papers, ser. 14, 93. Frankfurt am Main and Bern: Lang, 1981.
170. Fine, Ruth E. Lessing J. Rosenwald: Tribute to a Collector. Exhb. cat. Washington, D.C.: National Gallery of Art, 1982. [See s.v. “Blake” in the index of this beautifully produced book for the numerous references to Rosenwald’s activities as a Blake collector as well as for the catalogue entries for works by Blake and members of his circle which were included in the exhibition.]
171. Fisch, Harold. “Job as Modern Archetype.” Hebrew University Studies in Literature and the Arts, 11 (1983), 102-14.
172. Gleckner, Robert F. “W.J. Linton, a Latter-Day Blake.” Bulletin of Research in the Humanities, 85 (1982), 208-27. [To most readers of this journal, William James Linton will be best known as the engraver of the plates in Gilchrist’s Life of Blake, 1863 and 1880. Gleckner, drawing on Francis B. Smith’s biography of the artist, shows that there is more to this casual connection.]
173. Goldyne, Joseph R. “British Art at San Francisco.” Apollo, 111 (1980), 224-31. [For a brief discussion of Blake’s early “Complaint of Job” (Butlin 1981, no. 164), see 228-29.]
174. Paulson, Ronald. Representations of Revolution (1789-1820). New Haven: Yale University Press, 1983. $29.95.
175. Pointon, Marcia. “Portrait-Painting as a Business Enterprise in London in the 1780s.” Art History, 7 (1984), 187-205. [An extremely interesting account of the socio-economic conditions under which painters such as Reynolds, Northcote, Romney, or Opie had to work when Blake was just about to embark on his rather unsuccessful artistic career. Pointon’s article makes us appreciate Blake’s decision for non-conformity even more than before.]
begin page 109 | ↑ back to top176. Pressly, Nancy L. Revealed Religion: Benjamin West’s Commissions for Windsor Castle and Fonthill Abbey. Exhb. cat. San Antonio, Tx.: San Antonio Museum of Art, 1983. $9.00.
177. Purkis, John. The World of the English Poets. A Visual Approach. London: Heinemann, 1982. £12.50.
178. Sales, Roger. English Literature in History 1780-1830: Pastoral and Politics. London: Hutchison, 1983. £5.95.
179. Schweizer, Paul Douglas. “John Constable and the Rainbow.” Dissertation Abstracts International, 44 (1984), 2611A (University of Delaware, 1979). [In discussing the Western iconography of the rainbow, Schweizer examines instances of its portrayal by Blake, Flaxman, and Turner, among others.]
180. Stallworthy, Jon. “In Memory of Geoffrey Keynes, Kt. late of Lammas House, 1887-1982.” Blake/An Illustrated Quarterly, 17 (1983), 61. [A lyrical obituary.]
181. [Sutton, Denys.] “Editorial: ‘Conversing with Paradise.’ ” Apollo, 112 (1980), 74-77. [On Sir Robert Laurence Binyon, 1869-1943.]
182. Tolley, Michael J. “Additions to the Blake Apocrypha.” Blake/ An Illustrated Quarterly, 17 (1984), 25. [An amusing report from Adelaide, commenting on a performance of Blake, a play written and directed by Grant Hehir.]
*183. Wendorf, Richard, ed. Articulate Images: The Sister Arts from Hogarth to Tennyson. Minneapolis, Minn.: University of Minnesota Press, 1983. [A collection of essays on visual-verbal relationships which was presented as a festschrift to Jean H. Hagstrum.]
Part IV
Reviews of Works Cited Above and in Previous Checklists
184. Aers, David, Jonathan Cook, and David Punter. Romanticism and Ideology: Studies in English Writing 1765-1830. Reviewed by Theresa M. Kelley, The Wordsworth Circle, 14 (1983), 127-29.
185. Allen, Brian. George Romney as a Painter of Children. Reviewed by Patricia Jaffé, Apollo, 119 (1984), 460.
186. Andrews, Keith. Drawings from the Bequest of W.F. Watson, 1881-1981. Briefly reviewed by [Anne-Marie S. Logan], Master Drawings, 21 (1983), 183.
187. Baird, John D., and Charles Ryskamp, eds. The Poems of William Cowper, Vol. I. Reviewed by Patricia Craddock, Modern Philology, 80 (1983), 308-13; by Philip Drew, Modern Language Review, 78 (1983), 905-06; and by Pierre Danchin, English Studies, 64 (1983), 376-77.
188. Bandy, Melanie. Mind Forg’d Manacles: Evil in the Poetry of Blake and Shelley. Reviewed in Choice, 19 (1982), 1063-64; by William Keach, The Wordsworth Circle, 13 (1982), 142-43; and by Joseph A. Wittreich, Jr., Modern Philology, 80 (1983), 428-30.
189. Beckson, Karl, ed. The Memoirs of Arthur Symons. Reviewed by John Stokes, The Yearbook of English Studies, 10 (1980), 335-38.
190. Bellin, Harvey, and Tom Kieffer, prods. Blake: The Marriage of Heaven and Hell [film]. The Swedenborg Foundation, 1982-1983. Reviewed by Maginel Galt, Logos: The Swedenborg Foundation Newsletter, Summer 1983, pp. 1-3.
191. Bentley, G.E., Jr. Blake Books. Reviewed in Choice, 14 (1977), 1021; by Michael Gassenmeier, Anglia, 102 (1984), 248-59.
192. Bentley, G.E., Jr., ed. William Blake’s Writings. Reviewed by Michael Gassenmeier, Anglia, 102 (1984), 248-59.
193. Bertholf, Robert J., and Annette S. Levitt, eds. William Blake and the Moderns. Reviewed in Choice, 20 (1983), 1143; by Stuart Peterfreund, Romanticism Past and Present, 7, No. 2 (1983), 41-48; by Winston Weathers, James Joyce Quarterly, 21 (1984), 192-93; by Paul Mann, Blake/ An Illustrated Quarterly, 17 (1984), 169-72; and by George Bornstein, The Wordsworth Circle, 14 (1983), 162-63.
194. Bindman, David. Blake as an Artist. Reviewed in Choice, 14 (1978), 1632.
195. Bindman, David. The Complete Graphic Works of William Blake. Reviewed by Joseph A. Wittreich, Jr., The Eighteenth Century: A Current Bibliography, NS 4 (1978). Ed. Robert R. Allen. New York, N.Y.: AMS Press, 1981, pp. 282-83.
196. Bindman, David, ed. John Flaxman. Exhb. cat. Reviewed by Theodore Crombie, Apollo, 110 (1979), 446.
197. Bindman, David. William Blake: His Art and Times. Exhb. cat. Reviewed in Choice, 20 (1983), 964; by William L. Pressly, Art Journal, 43 (1983), 77-80; by Martin Butlin, Master Drawings, 21 (1983), 62-64; by *Carter Ratcliff, Print Collector’s Newsletter, 13 (1982-1983), 209-11; by David Fuller, British Journal for Eighteenth-Century Studies, 6 (1983), 207-08; and by Edward Larrissy, Art History, 6 (1983), 478-81.
198. Boulger, James D. The Calvinist Temper in English Poetry. Reviewed by Dennis M. Welch, Blake/ An Illustrated Quarterly, 17 (1983-1984), 117-18.
199. Brisman, Leslie. Romantic Origins. Reviewed by Daniel Hughes, Studies in Romanticism, 18 (1979), 316-22; by Stuart M. Tave, The Yearbook of English Studies, 11 (1981), 290-93; by Joseph A. Wittreich, Jr., The Eighteenth Century: A Current Bibliography, NS 5 (1979), eds. Paul J. Korshin and Robert R. Allen, New York, N.Y.: AMS Press, 1983, 258-60.
200. Brown, David Blayney. Ashmolean Museum Oxford: Catalogue of the Collection of Drawings. Vol. IV. Reviewed by Graham Reynolds, Apollo, 118 (1983), begin page 110 | ↑ back to top 529-30.
201. Brown, David Blayney. Samuel Palmer, 1805-1881. Exhb. cat. Reviewed by John Gage, Art History, 6 (1983), 390-91.
202. Butler, Marilyn. Romantics, Rebels and Reactionaries: English Literature and Its Background 1760-1830. Reviewed in Choice, 19 (1982), 1555; by Michael Scrivener, Criticism, 24 (1982), 286-90; by J.H. Haeger, Romanticism Past and Present, 7, No. 1 (1983), 63-76; by Robert F. Gleckner, South Atlantic Quarterly, 82 (1983), 449-51; by Michael O’Neill, British Journal for Eighteenth-Century Studies, 6 (1983), 205-07; by Christopher Clausen, Sewanee Review, 91 (1983), 672-80; by Frederick W. Shilstone, Southern Humanities Review, 18 (1984), 178-80; by Karl Kroeber, The Wordsworth Circle, 14 (1983), 126-27; by John Clubbe, The Byron Journal, 11 (1983), 64-65; and by Aileen Ward, Keats-Shelley Journal, 32 (1983), 204-07.
203. Butlin, Martin. The Paintings and Drawings of William Blake, Reviewed in Choice, 19 (1981), 60; by *Eric Shanes, Turner Studies, 1 (1981), 45-47; by *Peter Quennell, Apollo, 115 (1982), 295; by Irene Tayler, Art Journal, 42 (1982), 66-69; by *John Hayes, Journal of the Royal Society of Arts, 130 (1982), 594-95; by Jonathan Wordsworth, Review of English Studies, NS 35 (1984), 92-95.
204. [Cannon-Brookes, Peter, et al.] The British Neo-Romantics, 1935-1950. Exhb. cat. Reviewed by Richard Shone, Burlington Magazine, 125 (1983), 637-38; and by Martin Butlin, Blake/ An Illustrated Quarterly, 17 (1984), 162-64.
205. Cave, Kathryn, ed. The Diary of Joseph Farington. Vols. XI-XII. Reviewed by Luke Herrmann, Burlington Magazine, 126 (1984), 240.
206. Clarke, Michael, and Nicholas Penny, eds. The Arrogant Connoisseur: Richard Payne Knight 1751-1824. Exhb. cat. Reviewed by Grevel Lindop, The [London] Times Literary Supplement, 19 February 1982, p. 186; by John Gage, Burlington Magazine, 124 (1982), 315-16; by Michael Rosenthal, Art History, 6 (1983), 242-46; by [Anne-Marie S. Logan], Master Drawings, 21 (1983), 181-82.
207. Crouan, Katharine. John Linnell: A Centennial Exhibition. Exhb. cat. Reviewed in Choice, 20 (1983), 1276-77; by Graham Reynolds, Apollo, 118 (1983), 529-30.
208. Damrosch, Leopold, Jr. Symbol and Truth in Blake’s Myth. Reviewed in Choice, 18 (1981), 1544; by Nelson Hilton, Eighteenth-Century Studies, 17 (1983), 64-69; by Henry Summerfield, Studies in Mystical Literature, 3 (1983), 75-79; by Andrew Lincoln, Review of English Studies, NS 34 (1983), 345-46; by Edward Larrissy, Art History, 6 (1983), 478-81; by John Beer, Modern Language Review, 79 (1984), 425-30; and by Thomas R. Frosch, The Wordsworth Circle, 13 (1983), 152-56.
209. Davis, Michael. William Blake: A New Kind of Man. Reviewed in Choice, 14 (1977), 1211-12.
210. Dickinson, H.T., ed. The Political Works of Thomas Spence. Reviewed by G.E. Bentley, Jr., Blake/ An Illustrated Quarterly, 17 (1984), 172-74.
211. Doskow, Minna. William Blake’s Jerusalem: Structure and Meaning in Poetry and Picture. Reviewed in Choice, 21 (1983), 92-94.
212. Dunbar, Pamela. William Blake’s Illustrations to the Poetry of Milton. Reviewed in Choice, 18 (1981), 931; by Joseph A. Wittreich, Jr., The Yearbook of English Studies, 14 (1984), 329-31.
213. Eaves, Morris. William Blake’s Theory of Art. Reviewed by Edward Larrissy, Art History, 6 (1983), 478-81; by Hazard Adams, Blake/ An Illustrated Quarterly, 17 (1983-1984), 107-11; and by David Wagenknecht, The Wordsworth Circle, 14 (1983), 157-59 [with a reply by Morris Eaves, 159-60].
214. Einem, Herbert von. Deutsche Malerei des Klassizismus und der Romantik 1760-1840. Reviewed by Keith Andrews, Apollo, 112 (1980), 63-64.
215. Engell, James. The Creative Imagination: Enlightenment to Romanticism. Reviewed by Alex Page, The Wordsworth Circle, 13 (1982), 150-51; and by Thomas McFarland, Keats-Shelley Journal, 31 (1982), 198-202.
216. Erdman, David V., ed. The Complete Poetry and Prose of William Blake. Reviewed in Choice, 20 (1982), 424.
217. Essick, Robert N. The Separate Plates of William Blake. Reviewed in Choice, 21 (1983), 262-63; in the Gazette des Beaux-Arts, 6th ser., 102, No. 1378 (1983), “Chronique des Arts,” 19-20; by David Fuller, Durham University Journal, NS 45, No. 1 (1983), 141-43.
218. Essick, Robert N. William Blake: Printmaker. Reviewed in Choice, 18 (1980), 517; by *Robert H. Getscher, Arlis/NA Newsletter, 9 (1981), 253-54; by Nelson Hilton, Eighteenth-Century Studies, 17 (1983), 64-69; and by Dennis M. Read, The Wordsworth Circle, 13 (1982), 139-41.
219. Essick, Robert N., and Donald Pearce, eds. Blake in His Time. Reviewed in Choice, 16 (1979), 516; by Robert F. Gleckner, The Eighteenth Century: A Current Bibliography, NS 5 (1979), eds. Paul J. Korshin and Robert R. Allen, New York, N.Y.: AMS Press, 1983, pp. 349-52.
220. Essick, Robert N., and Jenijoy LaBelle, eds. Flaxman’s Illustrations to Homer. Reviewed by Janet Warner, Blake/ An Illustrated Quarterly, 17 (1983), 24-25.
221. Essick, Robert N., and Morton D. Paley, eds. Robert Blair’s The Grave: Illustrated by William Blake. Reviewed in Choice, 20 (1982), 254; in the Burlington Magazine, 125 (1983), 777.
222. Fine, Ruth E. Lessing J. Rosenwald. Exhb. begin page 111 | ↑ back to top cat. Reviewed by [Anne-Marie S. Logan], Master Drawings, 21 (1983), 179-80.
223. Frye, Northrop. The Great Code: The Bible and Literature. Reviewed by Elizabeth Robertson, English, 31 (1982), 274-81; by Robert Alter, Blake/An Illustrated Quarterly, 17 (1983), 20-22; by Richard Kearney, Studies: An Irish Quarterly Review, 72 (1983), 190-92; by Paul H. Fry, Yale Review, 72 (1983), 605-12; see also Louis Dudek, David L. Jeffrey, Emero Stiegman, and George Woodcock, “Northrop Frye and the Bible: A Review Symposium,” University of Toronto Quarterly, 52 (1982-1983), 127-54; by Charles B. Wheeler, “Professor Frye and the Bible,” South Atlantic Quarterly, 82 (1983), 154-64; by A.D. Nuttall, Modern Language Review, 78 (1983), 882-83; by Joseph Gold, English Studies in Canada, 9 (1983), 487-98; and by Gweneth B. Schwab, Christianity and Literature, 33 (1983), 87-89.
224. Gallant, Christine. Blake and the Assimilation of Chaos. Reviewed in Choice, 16 (1979), 388; by *Leslie Tannenbaum, Computers and the Humanities [US], 13 (1979), 200-02; by Mary Lynn Johnson, The Eighteenth Century: A Current Bibliography, NS 5 (1979), eds. Paul J. Korshin and Robert R. Allen, New York, N.Y.: AMS Press, 1983, pp. 353-55.
225. George, Diana Hume. Blake and Freud. Reviewed in Choice, 18 (1981), 723.
226. Gizzi, Corrado. Blake e Dante. Exhb. cat. Reviewed by Martin Butlin, Blake/An Illustrated Quarterly, 17 (1984), 160-61.
227. Givone, Sergio. William Blake: arte e religione. Reviewed by *L. Bottani, Revista di Estetica, No. 5 (1980), 143-45.
228. Glen, Heather. Vision and Disenchantment: Blake’s Songs and Wordsworth’s Lyrical Ballads. Reviewed in Choice, 21 (1984), 821; by Susan Matthews, English, 33 (1984), 66-71; and by Chris Baldrick, The [London] Times Literary Supplement, 19 August 1983, p. 884.
229. Grant, John E., and Mary Lynn Johnson, eds. Blake’s Poetry and Designs. Reviewed in Choice, 17 (1980), 536.
230. Grant, John E., Edward J. Rose, and Michael J. Tolley, eds. William Blake’s Designs for Edward Young’s Night Thoughts: A Complete Edition. Reviewed in Choice, 18 (1981), 932.
231. Grubb, Davis. Ancient Lights. Reviewed by Nelson Hilton, Blake/An Illustrated Quarterly, 17 (1983), 30-31.
232. Hagstrum, Jean. Sex and Sensibility. Reviewed by Dimiter Daphinoff, English Studies, 64 (1983), 279-81.
233. Hammacher, Abraham M. Phantoms of the Imagination: Fantasy in Art and Literature from Blake to Dali. Reviewed in Choice, 19 (1982), 1057.
234. Harvey, A.D. English Poetry in a Changing Society, 1780-1825. Reviewed by E.B. Murray, Review of English Studies, 35 (1984), 96-98.
235. Haskell, Francis, and Nicholas Penny. Taste and the Antique. Reviewed in Choice, 19 (1981), 366.
236. Hayes, Elliott. Blake: Innocence and Experience [a play]. Reviewed by V.A. DeLuca, Blake/An Illustrated Quarterly, 17 (1984), 161-62.
237. Hodnett, Edward. Image and Text: Studies in the Illustration of English Literature. Reviewed by Anthony Payne, Art Book Review, (2), No. 5 (1983), 17; by Richard Maxwell, Victorian Studies, 27 (1983-1984), 281-82; by Nicholas Pickwoad, Review of English Studies, NS 35 (1984), 272-75.
238. Honour, Hugh. Romanticism. Reviewed by Graham Reynolds, Apollo, 112 (1980), 286-87.
239. Hurlebusch, Klaus, ed. Friedrich Gottlieb Klopstock: Epigramme. Text und Apparat. Reviewed by P.M. Mitchell, Journal of English and Germanic Philology, 82 (1983), 417-18.
240. Hutchings, Bill. The Poetry of William Cowper. Reviewed in Choice, 20 (1983), 1454-55.
241. Irwin, David. John Flaxman 1755-1826: Sculptor, Illustrator, Designer. Reviewed by Thomas J. McCormick, Eighteenth-Century Studies, 16 (1983), 468.
242. Jackson, J.R. de J. Poetry of the Romantic Period. Reviewed by Michael G. Cooke, Keats-Shelley Journal, 31 (1982), 206-07.
243. Keynes, Geoffrey L. The Gates of Memory. Reviewed by B.C. Bloomfield, Papers of the Bibliographical Society of America, 77 (1983), 512-14 [includes a list of obituaries]; by George S. Rousseau, South Atlantic Quarterly, 83 (1984), 114-17.
244. Keynes, Geoffrey L., ed. The Letters of William Blake. 3rd rev. ed. Reviewed by Mary Ellman, Sewanee Review, 91 (1983), 120-28; by John Beer, Modern Language Review, 79 (1984), 425-30.
245. Keynes, Geoffrey L., and Peter Davidson, eds. A Watch of Nightingales. Reviewed by G.E. Bentley, Jr., Blake/An Illustrated Quarterly, 17 (1983), 32-35.
246. King, James, and Charles Ryskamp, eds. The Letters and Prose Writings of William Cowper. Reviewed in Choice, 19 (1981), 504 [Vol. II]; by Donald H. Reiman, Blake/An Illustrated Quarterly, 17 (1983), 26-29 [Vol. II]; by Vincent Newey, Prose Studies, 6 (1983), 76-77 [Vol. II]; by John H. Pittock, British Journal for Eighteenth-Century Studies, 6 (1983), 208-11 [Vols. I-II]; in Prose Studies, 6 (1983), 310 [Vol. III]; by Pierre Danchin, English Studies, 65 (1984), 80-82 [Vol. II]; and by Patricia Craddock, Modern Philology, 80 (1983), 308-13 [Vol. II].
247. King-Hele, Desmond, ed. The Letters of Erasmus Darwin. Reviewed by *Michael Scott, Daily Telegraph, 12 November 1981; by *Francis Huxley, The Guardian, 26 November 1981; by Richard Fifield, New Scientist, 10 December 1981; by Walter Tyson, Oxford begin page 112 | ↑ back to top Times, 18 December 1981; by Roy Porter, The [London] Times Higher Education Supplement, 22 January 1982; by John Cule, Pharmaceutical Journal, 24 April 1982; by Gavin Bridson, Nature, 296 (29 April 1982), 873; by Alex Paton, British Medical Journal, 284 (1 May 1982), 1319-20; by Robert J. Richards, Science, 216 (4 June 1982), 1101-02; by Trevor I. Williams, Endeavour, June 1982; by N.W. Pririe, The Biologist, 29 (1982); by W.A. Smeaton, Ambix, 29 (1982), 115-16; by Sir Charles Fleming, Interdisciplinary Science Review, 7 (1982), 325; by Ralph Colp, Jr., Bulletin of the New Academy of Medicine, 58 (1982), 341-44; by Donald M. Hassler, Wordsworth Circle, 13 (1982), 137-38; by *Maureen McNeil, British Journal of the History of Science, March 1983; by Pat Rodgers, British Journal for Eighteenth-Century Studies, 6 (1983), 80-81; by Richard W. Burkhardt, Jr., Isis, 74 (1983), 616-17.
248. Klonsky, Milton. Blake’s Dante. Reviewed in Choice, 18 (1981), 1094.
249. Klonsky, Milton. William Blake: The Seer and His Visions. Reviewed in Choice, 15 (1978), 58.
250. Kroeber, Karl, and William Walling, eds. Images of Romanticism: Verbal and Visual Affinities. Reviewed by Stuart M. Tave, The Yearbook of English Studies, 11 (1981), 290-93.
251. Leader, Zachary. Reading Blake’s Songs. Reviewed by Nelson Hilton, Eighteenth-Century Studies, 17 (1983), 64-69; by Hazard Adams, Studies in Romanticism, 22 (1983), 458-62; by John Beer, Modern Language Review, 79 (1984), 425-30; and by Jeffrey C. Robinson, The Wordsworth Circle, 14 (1983), 160-61.
252. LeBris, Michel. Romantics and Romanticism. Reviewed in Choice, 19 (1981), 227; by Dennis M. Read, Blake/An Illustrated Quarterly, 17 (1983-1984), 114-16.
253. Lindsay, Jack. William Blake: His Life and Work. Reviewed by Horst Höhne, Deutsche Literaturzeitung für Kritik der internationalen Wissenschaft, 102 (1981), cols. 575-78; by Wallace Jackson, The Eighteenth Century: A Current Bibliography, NS 5 (1979). Eds. Paul J. Korshin and Robert R. Allen. New York, N.Y.: AMS Press, 1983, pp. 356-58.
254. Lister, Raymond. George Richmond: A Critical Biography. Reviewed by Shelley M. Bennett, Blake/An Illustrated Quarterly, 17 (1983), 22-24; by David Brown, Art History, 6 (1983), 485-88.
255. Lister, Raymond, ed. The Letters of Samuel Palmer. Reviewed by Katharine Crouan, Burlington Magazine, 118 (1976), 528.
256. Lister, Raymond. Samuel Palmer: A Biography. Reviewed by Katharine Crouan, Burlington Magazine, 118 (1976), 528.
257. Lister, Raymond, et al. Samuel Palmer: A Vision Recaptured. Reviewed by Luke Herrmann, Burlington Magazine, 121 (1979), 54-57.
258. Mellor, Anne K. English Romantic Irony. Reviewed by Peter L. Thorslev, Jr., Keats-Shelley Journal, 31 (1982), 202-04.
259. Mitchell, W.J.T. Blake’s Composite Art. Reviewed in Choice, 15 (1978), 848-49; by Leslie Tannenbaum, The Eighteenth Century: A Current Bibliography, NS 5 (1979), eds. Paul J. Korshin and Robert R. Allen, New York, N.Y.: AMS Press, 1983, 358-60.
260. Newey, Vincent. Cowper’s Poetry: A Critical Study and Reassessment. Reviewed in Choice, 20 (1983), 986; by Peter Faulkner, Durham University Journal, NS 45, No. 1 (1983), 141; and by Grevel Lindop, The [London] Times Literary Supplement, 2 December 1983, p. 1352.
261. Nurmi, Martin K. William Blake. Reviewed in Choice, 14 (1977), 377.
262. Paananen, Victor N. William Blake. Reviewed in Choice, 14 (1977), 683.
263. Paley, Morton D. William Blake. Reviewed in Choice, 15 (1978), 852-53; by *Susan Hoyal, Connoisseur, 198 (1978), 330.
264. Paulson, Ronald. Book and Painting: Shakespeare, Milton, and the Bible. Reviewed in Choice, 21 (1983), 80; by Estella Schoenberg, Milton Quarterly, 17 (1983), 51-52.
265. Paulson, Ronald. Literary Landscape: Turner and Constable. Reviewed by Anne K. Mellor, Romanticism Past and Present, 8 (1984), 51-55; and by Carole Fabricant, The Wordsworth Circle, 14 (1983), 130-33.
266. Paulson, Ronald. Representations of Revolution (1789-1820). Reviewed by Richard King, Kenyon Review, NS 5, No. 4 (1983), 128-31; by John Barrell, Art History, 7 (1984), 120-24; by Regenia Gagnier, Criticism, 26 (1984), 201-03.
267. Phillips, Michael C., ed. Interpreting Blake. Reviewed by Stan Smith, Literature and History, 6 (1980), 267-69; by Neil Fraistat, The Eighteenth Century: A Current Bibliography, NS 5 (1979), eds. Paul J. Korshin and Robert R. Allen, New York, N.Y.: AMS Press, 1983, 360-62.
268. [Powney, Christopher, and Edith Powney.] Drawings by George Romney. Exhb. cat. Briefly reviewed in Apollo, 112 (1980), 283.
269. Pressly, Nancy L. The Fuseli Circle in Rome. Exhb. cat. Reviewed in Apollo, 110 (1979), 518.
270. Pressly, William L. James Barry: The Artist as Hero. Exhb. cat. Reviewed by Anna Ottani Cavina, Paragone, 34, No. 397 (1983), 65-72.
271. Pressly, William L. The Life and Art of James Barry. Reviewed in Choice, 19 (1981), 499; by Anna Ottani Cavina, Paragone, 34, No. 397 (1983), 65-72; by Shelley M. Bennett, Blake/An Illustrated Quarterly, 17 (1983), 22-24; and by David Brown, Art History, 6 (1983), 485-88.
272. Priestman, Martin. Cowper’s Task: Structure begin page 113 | ↑ back to top and Influence. Reviewed by Grevel Lindop, The [London] Times Literary Supplement, 2 December 1983, p. 1352; and in Choice, 21 (1984), 823.
273. Punter, David. Blake, Hegel and Dialectic. Reviewed by Nelson Hilton, Blake/ An Illustrated Quarterly, 17 (1984), 164-69; by François Piquet, études Anglaises, 37 (1984), 208-09.
274. Purkis, John. The World of the English Poets. A Visual Approach. Reviewed by John Clubbe, The Byron Journal, 11 (1983), 66-67.
275. Raine, Kathleen. Blake and the New Age. Reviewed in Choice, 17 (1980), 674.
276. Raine, Kathleen. The Human Face of God: William Blake and the Book of Job. Reviewed by *Raymond Lister, Journal of the Royal Society of Arts, 130 (1982), 595-96; by David Fuller, British Journal for Eighteenth-Century Studies, 6 (1983), 76-79.
277. Raine, Kathleen. The Inner Journey of the Poet. Reviewed by Elizabeth Bartlett, Dalhousie Review, 62 (1982), 524-26.
278. Scholz, Joachim J. Blake and Novalis: A Comparison of Romanticism’s High Arguments. Reviewed by Detlef W. Dörrbecker, Blake/ An Illustrated Quarterly, 17 (1983-1984), 111-14.
279. Starobinski, Jean. 1789: Die Embleme der Vernunft. Reviewed by Bernd Growe, Pantheon, 42 (1984), 101-02.
280. Stevenson, Warren. The Myth of the Golden Age in English Romantic Poetry. Reviewed by V.A. DeLuca, Blake/ An Illustrated Quarterly, 17 (1983), 32.
281. Stock, R.D. The Holy and the Daemonic from Sir Thomas Browne to William Blake. Reviewed by *John M. Aden, Sewanee Review, 91 (1983), liv; by Anya Taylor, Criticism, 35 (1983), 75-79; by J.M. Armistead, Durham University Journal, NS 45, No. 1 (1983), 131-34; and by Lionel Basney, Christianity and Literature, 33 (1984), 53-55.
282. Tannenbaum, Leslie. Biblical Tradition in Blake’s Early Prophecies. Reviewed in Choice, 19 (1982), 1562.
283. Vaughan, William. German Romanticism and English Art. Reviewed by Keith Andrews, Apollo, 112 (1980), 63-64; by Deborah Cherry, Art History, 4 (1981), 335-39.
284. Webb, Timothy, ed. English Romantic Hellenism, 1700-1824. Reviewed by Philip Wheatley, English, 32 (1983), 176-87.
285. Wilkie, Brian, and Mary Lynn Johnson. Blake’s Four Zoas: The Design of a Dream. Reviewed in Choice, 15 (1978), 1056.
286. Willard, Nancy. A Visit to William Blake’s Inn: Poems for Innocent and Experienced Travelers. Reviewed by Elizabeth B. Bentley, Blake/ An Illustrated Quarterly, 17 (1983), 35-37.
Index of Authors
Ackland, Michael 22
Adams, Hazard 23, 24, 213, 251
Aden, John M. 281
Aers, David 158, 184
Allen, Brian 146, 185
Allen, Robert R. 7, 15, 195, 199, 219, 224, 253, 259, 267
Alter, Robert 223
Anderson, Mark Ransom 25
Andrews, Keith 186, 214, 283
Archer, Mildred 128
Armistead, J.M. 281
Avens, Roberts 26
Baird, John D. 187
Baldrick, Chris 228
Bandy, Melanie 188
Barilli, Renato 51, 53
Barker, Francis 68, 77
Barrell, John 266
Bartlett, Elizabeth 277
Basney, Lionel 281
Bayard, Jane Hildreth 159
Beckson, Karl 160, 189
Beer, John 208, 244, 251
Behrendt, Stephen C. 27
Bellin, Harvey 190
Bellonzi, Fortunato 53
Bender, John 28
Bennett, James R. 8
Bennett, Shelley M. 114, 151, 254, 271
Bentley, Elizabeth B. 286
Bentley, G.E., Jr. 9, 29, 30, 129, 130, 191, 192, 210, 245
Berkowitz, Roger M. 131
Bertholf, Robert J. 193
Bidney, Martin 31
Bindman, David 194, 195, 196, 197
Birenbaum, Harvey 32
Bloomfield, B.C. 243
Bogan, James 161
Bornstein, George 193
Bottani, L. 227
Boulger, James D. 162, 198
Brantley, Richard E. 163
Bray, Barbara 70
Bridson, Gavin 247
Brinkley, Robert A. 33
Brisman, Leslie 34, 199
Brogan, T.V.F. 164
Brown, David 254, 271
Brown, David Blayney 200, 201
Burkett, M.E. 147
Burkhardt, Richard W., Jr. 247
Burns, Bryan 18
Bury, Adrian 155
Butler, Marilyn 202
Butlin, Martin 10, 53, 197, 203, 204, 226
Cannon-Brookes, Peter 165, 204
Caso, Adolph 102
Cave, Kathryn 166, 205
Cavina, Anna Ottani 270, 271
Cecil, David 142
Chan, Victor Chinkeung 148
Chayes, Irene H. 136
Cherry, Deborah 283
Christensen, Bryce J. 35
Clarke, Michael 206
Clausen, Christopher 202
Clubbe, John 202, 274
Colaiacomo, Paola 51
Colp, Ralph, Jr. 247
Cook, Eleanor 167
Cook, Jonathan 158, 184
Cooke, Michael G. 242
Cope, Kevin Lee 36
Copland, James Alexander 37
Corti, Claudia 38, 51, 53
Craddock, Patricia 187, 246
Crehan, Stewart 39
Crombie, Theodore 196
Crouan, Katherine 207, 255, 256
Cule, John 247
Damon, S. Foster 40
Damrosch, Leopold, Jr. 208
Danchin, Pierre 187, 246
Daphinoff, Dimiter 232
Davidson, Peter 6, 245
Davies, J.M.Q. 41
Davis, Michael 209
DeLuca, V.A. 42, 236, 280
Dickinson, H.T. 168, 210
Dilworth, Thomas 43, 120
DiSalvo, Jackie 44
Dodd, Philip 18
Dole, George F. 26
Dörrbecker, Detlef W. 16, 278
Doskow, Minna 45, 211
D’Ottavi, Stefania 51
Douglas-Drinkwater, Susan 13
Dowdey, Landon 3
Drew, Philip 187
Dudek, Louis 223
Duffy, H. 46
begin page 114 | ↑ back to topDunbar, Pamela 5, 212
Eaves, Morris 213
Eichner-Dixon, Peter 169
Einem, Herbert von 214
Ellis, Helen B. 47
Ellman, Mary 244
Emerson, Roger L. 96
Engell, James 215
Erdman, David V. 48, 216
Essick, Robert N. 11, 49, 50, 217, 218, 219, 220, 221
Everest, Kelvin 127
Fabian, Bernhard 12
Fabricant, Carole 265
Faulkner, Peter 260
Feldman, Burton 5, 153
Fifield, Richard 247
Fine, Ruth E. 170, 222
Finizio, Luigi Paolo 53
Finlay, Nancy 152
Fisch, Harold 171
Fleming, Charles 247
Forster, Harold 157
Fortunati, Vita 51
Franci, Giovanna 51
Fraistat, Neil 267
Fritz, Paul 129
Frosch, Thomas R. 208
Fry, Paul H. 223
Frye, Northrop 223
Fuller, David 197, 217, 276
Gage, John 201, 206
Gagnier, Regenia 266
Gallant, Christine 224
Galt, Maginel 190
Gassenmeier, Michael 191, 192
Gehren, G. von 156
George, Diana Hume 225
Getscher, Robert H. 218
Gillespie, Diane Filby 52
Girard, Gilles 96
Givone, Sergio 51, 227
Gizzi, Corrado 53, 226
Gleckner, Robert F. 172, 202, 219
Glen, Heather 54, 228
Gold, Joseph 223
Goldyne, Joseph R. 173
Gourlay, Alexander S. 55, 56
Grant, John E. 229, 230
Grčić, Marko 57
Greco, Norma A. 58
Greenberg, Mark L. 59
de Groot, H.B. 13
Growe, Bernd 279
Grubb, Davis 231
Hagstrum, Jean 232
Halsband, Robert 137
Haeger, J.H. 202
Hammacher, Abraham M. 60, 233
Harvey, A.D. 234
Haskell, Francis 235
Hassler, Donald M. 247
Hayes, Elliott 236
Hayes, John 203
Heppner, Christopher 61
Herrmann, Luke 205, 257
Hilton, Nelson 62, 208, 218, 231, 251, 273
Hodnett, Edward 237
Hoff, Ursula 53
Hofmann, Werner 105
Hogan, Joseph David 63
Höhne, Horst 253
Honour, Hugh 238
Hosek, Chaviva 167
Hoval, Susan 263
Howard, Seymour 64
Hughes, Daniel 199
Hunt, Leslie B. 132
Hurlebusch, Klaus 239
Hutchings, Bill 121, 240
Huxley, Francis 247
Irwin, David 133, 241
Jack, Ronald D.S. 82
Jackson, J.R. DeJ. 242
Jackson, Wallace 253
Jaffé, Patricia 185
Jakobson, Roman 51
James, G. Ingli 1
Jeffrey, David L. 223
Jing-yu, Gu 14
Johnson, Mary Lynn 224, 229, 285
Keach, William 188
Kearney, Richard 223
Kelley, Theresa M. 65, 184
Keynes, Geoffrey L. 6, 243, 244, 245
Kieffer, Tom 190
King, James 122, 246
King, Richard 266
King-Hele, Desmond 127, 247
Klonsky, Milton 248, 249
Kobayashi, Keiko 66
Korshin, Paul J. 15, 199, 219, 224, 253, 259, 267
Kroeber, Karl 202, 250
LaBelle, Jenijoy 220
Langham, Tony 60
Larrissy, Edward 67, 68, 197, 208, 213
Leader, Zachary 251
LeBris, Michel 69, 70, 252
Lee, Judith 71
Lee, Richard V. 72
Levitt, Annette S. 193
Lincoln, Andrew 73, 208
Lindop, Grevel 206, 260, 272
Lindsay, Jack 253
Lister, Raymond 74, 254, 255, 256, 257, 276
Logan, Anne-Marie S. 186, 206, 222
Macpherson, Jay 167
Maheux, Anne 75
Mann, Paul 193
Masheck, J.D.C. 116
Matthews, Susan 228
Maxwell, Richard 237
Mayoux, Jean-Jacques 76, 138
McCormick, Thomas J. 241
McFarland, Thomas 215
McNeil, Maureen 247
Mellor, Anne K. 28, 258, 265
Meyenburg, B. von 139
Michalski, Sergiusz 140
Middleton, Peter 77, 78
Minnick, Thomas L. 16
Mitchell, P.M. 239
Mitchell, W.J.T. 79, 259
Morace, Robert A. 47
Morton, Richard 129
Mourão Ferreira, David 80
Munson, Rita 81
Murray, E.B. 234
Newey, Vincent 18, 123, 246, 260
Noble, Andrew 82
Nurmi, Martin K. 261
Nuttall, A.D. 223
Ober, Warren U. 47
O’Neill, Michael 202
Ostrom, Hans Ansgar 83
Ott, Judith 84
Paananen, Victor N. 262
Page, Alex 215
Paley, Morton D. 85, 86, 143, 221, 263
Parker, Patricia 167
Paton, Alex 247
Patrick, Julian 167
Pauchard, Jean 87
Paulson, Ronald 88, 89, 90, 141, 174, 264, 265, 266
Payne, Anthony 237
Payne, Harry C. 42
Pearce, Donald 219
Penny, Nicholas 206, 235
Peterfreund, Stuart 193
Peters, Plym 60
Phillips, Michael C. 267
Pickwoad, Nicholas 237
Piquet, François 19, 91, 92, 273
Pittock, John H. 246
Pointon, Marcia 175
Poprzęcka[e], Maria 134
Porter, Roy 247
Powney, Christopher 149, 268
Powney, Edith 149, 268
Pressly, Nancy L. 176, 269
Pressly, William L. 117, 118, 197, 270, 271
Priestman, Martin 124, 272
Pririe, N.W. 247
Punter, David 93, 158, 184, 273
Purkis, John 177, 274
Quennell, Peter 203
Raine, Kathleen 275, 276, 277
Ramalho de Sousa Santos, Maria Irene 94
Ratcliff, Carter 197
Ravindran, S. 95
Read, Dennis M. 126, 218, 252
Redmond, James 18
Reiman, Donald H. 246
Reisner, M.E. 96
Reynolds, Graham 200, 207, 238
Rice, Patricia Hopkins 3
Richards, Robert J. 247
Richardson, Bruce Alan 97
Richardson, Robert D., Jr. 5, 153
Riegler, Elfie 69
Robertson, Elizabeth 223
Robinson, Jeffrey C. 251
Rodgers, Pat 247
Rogal, Samuel J. 150
Rose, Edward J. 230
Rosenthal, Michael 206
Rousseau, George S. 243
Runte, Roseann 96
Ryskamp, Charles 122, 187, 246
Sales, Roger 178
Scalia, Gianni 51
Schoenberg, Estella 264
Scholz, Joachim J. 278
Schwab, Gweneth B. 223
Schweizer, Paul Douglas 179
Scott, Michael 247
Scrivener, Michael 202
Shanes, Eric 203
Shilstone, Frederick W. 202
begin page 115 | ↑ back to topShoemaker, Innis H. 21
Shone, Richard 204
Smeaton, W.A. 247
Singh, Gurbhagat 98
Smith, Michael 20
Smith, Stan 267
Solkin, David H. 119
Sosnowski,[e] Terry Ford 99
Spanckeren, Kathryn van 47
Spector, Sheila 100
Spittles, Brian 101
Stallworthy, Jon 180
Starobinski, Jean 279
Steinberg, Robert E. 102
Stemmler, Joan K. 103
Stevenson, Warren 280
Stiegman, Emero 223
Stock, R.D. 104, 281
Stokes, John 189
Strudwick, R.F. 144
Summerfield, Henry 208
Sutton, Denys 181
Swift, Bernard C. 70
Syamken, Georg 105
Symmons, Sarah 135
Tannenbaum, Leslie 224, 259, 282
Tave, Stuart M. 199, 250
Tayler, Irene 203
Taylor, Anya 281
Taylor, Dena 106
Thorpe, Douglas Joseph 107
Thorslev, Peter L., Jr. 258
Tolley, Michael J. 182, 230
Trickett, Lionel 125
Tscherny, Nadia 145
Tyson, Walter 247
Ulivi, Ferruccio 53
Van Pelt, William Vern 108
Vaughan, William 283
Wagenknecht, David 213
Walker, Dean 21
Walling, William 250
Ward, Aileen 202
Wark, Robert R. 29, 49, 114, 115, 143
Warner, Janet 220
Warner, Nicholas O. 109, 110, 111, 112
Weathers, Winston 193
Webb, Timothy 154, 284
Welch, Dennis M. 198
Wendorf, Richard 79, 86, 90, 183
Whaley, Joachim 133
Wheatley, Philip 284
Wheeler, Charles B. 223
Wilkie, Brian 285
Willard, Nancy 286
Williams, Trevor I. 247
Wittreich, Joseph A., Jr. 188, 195, 199, 212
Woodcock, George 223
Wordsworth, Jonathan 203
Zeigelman, Lois 113