|A Newly Discovered Blake at the Huntington by Shelley M. Bennett|
|Visual Analogues to Blake’s “The Dog” by Nicholas O. Warner|
|R.D. Stock, The Holy and the Daemonic from Sir Thomas Browne to William Blake, reviewed by Christopher Fox|
|James King and Charles Ryskamp, eds., The Letters and Prose Writings of William Cowper, reviewed by Donald H. Reiman|
|John Beer, William Blake, reviewed by James Bogan|
|Jerome J. McGann, The Romantic Ideology: A Critical Investigation, reviewed by Michael Fischer|
|A Re-View of Some Problems in Understanding Blake’s Night Thoughts by John E. Grant|
|Reply to John Grant by W.J.T. Mitchell|
|Further Thoughts on Night Thoughts by Morton D. Paley|
|Grant’s “Problems in Understanding”: Some Marginalia by D.W. Dörrbecker|
|Supplement to Blake Records, Frye on Film|
SHELLEY M. BENNETT, Associate Curator of British Art, Henry E. Huntington Library and Art Gallery, San Marino, California, publishes on various aspects of British art, particularly eighteenth century book illustration.
JAMES BOGAN is an Associate Professor of Art & Film at the University of Missouri-Rolla. With Les Blank he has recently co-edited Burden of Dreams (North Atlantic Books), a casebook on the film which features Werner Herzog and the Amazon River.
D.W. DÖRRBECKER, who teaches art history at the University of Trier in West Germany, is presently conducting a course on the etchings of Rembrandt. He feels that—by way of contrast—even this can be helpful for one’s attempt to understand the peculiarities of Blake’s graphic style.
MICHAEL FISCHER is an Associate Professor of English at the University of New Mexico. He is the author of Does Deconstruction Make Any Difference? (Indiana University Press) and co-editor (with Morris Eaves) of Romanticism and Contemporary Criticism (forthcoming, Cornell University Press).
CHRISTOPHER FOX teaches English at Wilkes College, edited Psychology and Literature in the 18th Century (AMS Press, forthcoming), and authored “Locke and the Scriblerians: The Discussion of Identity in Early Eighteenth-Century England,” which placed third and received an honorable mention for the James L. Clifford Prize (1982-83).
JOHN E. GRANT, Professor of English at the University of Iowa, is co-editor of the Norton Critical Edition Blake’s Poetry and Designs and author of numerous articles on Blake’s work.
W.J.T. MITCHELL is the author of Blake’s Composite Art and has edited several volumes of essays, including The Language of Images and The Politics of Interpretation. He is the editor of Critical Inquiry and Professor of English and Art and Design at the University of Chicago. His new book, Iconology: Image, Text, Ideology, will be published later this year.
MORTON D. PALEY’s latest book is The Continuing City: William Blake’s Jerusalem, published by Oxford University Press. He is now completing a study of the Apocalyptic Sublime in British art.begin page 131 |
DONALD H. REIMAN, Editor of Shelley and his Circle (Harvard Univ. Press) and General Editor of The Bodleian Shelley Manuscripts (Garland), is currently preparing the annual review of scholarship on the literature of the nineteenth century for Studies in English Literature.
NICHOLAS O. WARNER, Assistant Professor of Literature at Claremont McKenna College, has published articles in The Colby Library Quarterly and The Explicator, as well as this and other scholarly journals.
Editors: Morris Eaves, University of New Mexico, and Morton D. Paley, University of California, Berkeley.
Bibliographer: Thomas L. Minnick, Ohio State University.
Review Editor: Nelson Hilton, University of Georgia, Athens.
Associate Editor for Great Britain: Frances A. Carey, Assistant Curator, Department of Prints and Drawings, British Museum.
Production Office: Morris Eaves, Department of English, University of New Mexico,
Albuquerque, NM 87131, Telephone 505/277-3103.
Morton D. Paley, Department of English, University of California, Berkeley, CA 94720.
Thomas L. Minnick, University College, Ohio State University, 1050 Carmack Road, Columbus, OH 43210.
Nelson Hilton, Department of English, University of Georgia, Athens, GA 30602.
Frances A. Carey, Department of Prints and Drawings, British Museum, Great Russell Street, London WC1B 3DG, United Kingdom.
Managing Editor: Robin Tawney.
Editorial Assistants: Leslie Donovan, Chapel Petty Schmitt, University of New Mexico.
Blake/An Illustrated Quarterly is published under the sponsorship of the Department of English, University of New Mexico.
Subscriptions are $ 18 for institutions, $ 15 for individuals. All subscriptions are by the volume (1 year, 4 issues) and begin with the summer issue. Subscription payments received after the summer issue will be applied to the 4 issues of the current volume. Foreign addresses (except Canada and Mexico) require a $ 3 per volume postal surcharge for surface mail, a $ 10 per volume surcharge for air mail delivery. U.S. currency or international money order necessary. Make checks payable to Blake/An Illustrated Quarterly. Address all subscription orders and related communications to Robin Tawney, Blake, Department of English, University of New Mexico, Albuquerque, NM 87131, USA.
Many back issues are available at a reduced price. Address Robin Tawney for a list of issues and prices.
Manuscripts are welcome. Send two copies, typed and documented according to the forms suggested in the MLA Style Sheet, 2nd ed., to either of the editors: Morris Eaves, Dept. of English, University of New Mexico, Albuquerque, NM 87131; Morton D. Paley, Dept. of English, University of California, Berkeley, CA 94720.
International Standard Serial Number: 0006-453x. Blake/An Illustrated Quarterly is indexed in the Modern Language Associations International Bibliography, the Modern Humanities Research Association’s Annual Bibliography of English Language and Literature, English Language Notes’ annual Romantic Bibliography, ART bibliographies MODERN, American Humanities Index, and the Arts and Humanities Citation Index.
© 1984 Morris Eaves and Morton D. Paley