begin page 22 | back to top
The Chimney Sweeper  

Lorenz Becher: An Artist in Berne, Switzerland

I was born in 1961 in Berne and I work in a studio in the center of Berne. The address is Kornhausplatz 14, 3014 Bern, Switzerland.

Since 1990 I have mainly worked on projects rather than individual paintings. The first one was called Faces, the second one, in 1991, Faces II. In 1992 I did the Faces on Board Project and in 1993, the Blake Project happened.

About 200 years after William Blake’s writing, illustrating and printing of his Songs of Innocence and of Experience I copied the songs on pieces of cardboard (averaging 100 cm. by 70 cm.) with black, water-resistant felt pens. The pattern thus constituted by Blake’s words in my handwriting became the basis of my visual reaction first drawn into and onto all the texts in black and white and then painted, sprayed, printed, masked on and steel wooled off the Experience texts with gouache, acrylics and synthetic resin. Hand-framed black and white in the case of the Innocence poems and framed in various colors in the case of the Experience poems, the entire project was first shown in the rooms of the Swiss Telecom International building in Worblaufen, Berne in spring 1996. Among my conscious concerns in the making of the project were the amazing topicality of the texts, not so much on the level of their language, but on the levels of psychological, cultural and historical questions of all sorts. In addition I was greatly inspired and fascinated by Blake’s handling of the theme of confinement and emancipation as well as his very modern and complex perception of the notions of system and chaos. My visual work is a reaction to Blake’s poetry, not to his own illustrations, and I was also influenced, no doubt, by Allen Ginsberg, Bob Dylan, and The Doors, who were all, in turn, greatly influenced by Blake themselves. It is a great wish of mine to see my Blake paintings published in a book, side by side with Blake’s own illustrations and his texts some day. Should this publication get somebody outside Switzerland interested in exhibiting or printing my work, I will be able to get financial support from a Swiss foundation.

In 1994 I did the Double Bind Project, in 1995 the Magic Carpet Ride Project and the Phases of the Moon Project. In 1996 I painted the Schattenraumprojekt (Rooms in the House of Shade Project) in collaboration with Regula Radvila,[e] a Swiss writer. I also completed my Milespiration Project, which is the music of Miles Davis transformed into my painting.

This spring I saw Jim Jarmusch’s movie Dead Man and was fascinated by the fact that almost synchronically he and I, two artists working with pictures in completely different ways one ocean apart, were inspired by one and the same poet. Blake is magic and so are words and pictures!

(For more information call Lorenz Becher [931 03 00]. Studio address is Kornhausplatz 14 in Berne.)

Holy Thursday  
begin page 23 | back to top
The Little Boy Lost  
The School Boy  
begin page 24 | back to top
The Poison Tree  
London  
Tirzah  

Print Edition

  • Publisher
  • Department of English, University of Rochester
  • Rochester, NY, USA
    • Editors
    • Morris Eaves
    • Morton D. Paley
    • Managing Editor
    • Patricia Neill
    • Bibliographer
    • G.E. Bentley, Jr.
    • Review Editor
    • Nelson Hilton
    • Associate Editor for Great Britain
    • David Worrall
    • Contributors
    • Lorenz Becher
    • Wes Chapman
    • David L. Clark
    • Christopher Heppner
    • James McKusick
    • John B. Pierce
    • R. Paul Yoder

    Digital Edition

    • Editors:
    • Morris Eaves, University of Rochester
    • Robert Essick, University of California, Riverside
    • Joseph Viscomi, University of North Carolina at Chapel Hill
    • Managing Editor
    • Joe Fletcher
    • Assistant Editor Editor
    • Michael Fox
    • Previous Project Manager and Technical Editor
    • William Shaw
    • Adam McCune
    • Managing Editor Blake/An Illustrated Quarterly
    • Sarah Jones
    • Project Director and Assistant Project Manager
    • Grant Glass
    • Project Coordinator, University of Rochester:
    • Eric Loy
    • Scanning:
    • UNC Digital Production Center
    • XML Encoding:
    • Apex CoVantage
    • Additional Transcription:
    • Adam McCune
    • Jennifer Park
    • Emendations:
    • Rachael Isom
    • Mary Learner
    • Adam McCune
    • Ashley Reed
    • Jennifer Park
    • Scott Robinson
    • XSLT Development:
    • Adam McCune
    • Joseph Ryan
    • William Shaw
    • PHP and Solr Development:
    • Michael Fox
    • Adam McCune
    • Project Assistants:
    • Lauren Cameron,
    • Rachael Isom,
    • Mary Learner,
    • Jennifer Park,
    • Ashley Reed,
    • Adair Rispoli,
    • Scott Robinson
    • Sponsors
    • Funders
    • Blake/An Illustrated Quarterly
    • William Blake Archive
    • Carolina Digital Library and Archives
    • Use Restrictions
    • Copyright © 2019 Blake/An Illustrated Quarterly, all rights reserved. Items in this digital edition may be shared in accordance with the Fair Use provisions of U.S. copyright law. Redistribution or republication on other terms, in any medium, requires express written consent from the editors and advance notification of the publisher. Permission to reproduce the graphic images in this digital edition rests with the owning institutions.