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NEWSLETTER

Blake & the Age of Revolution: MA in English & History of Art

Convenor: Michael Phillips

“The Centre for Eighteenth Century Studies, in the historic King’s Manor in the city of York, is offering this new oneyear MA program featuring a core course on William Blake which also incorporates an introduction to the major archives in Great Britain for primary research in the eighteenth century. A wide selection of optional courses in the long eighteenth century is also offered to supplement this new MA. The program is also available over two years to parttime students.

“Blake is the central figure of the core course, as poet, painter and printmaker and as publisher of his own works. In this regard emphasis is upon the immediate cultural and historical circumstances that affected the creation and publication of his works. This includes study of the response in Britain to the French Revolution and its aftermath, especially the era of the anti-Jacobin Terror and the crisis it occasioned in the history of civil liberty.

“A feature of this new MA is its introduction to the principal archives in Britain for original research in the eighteenth century including collections of Blake and his contemporaries. Time will also be spent in a printmaking studio to see and practice first hand how Blake’s works were produced.

“For a brochure and full descriptions of the Centre’s MA and doctoral programs, write or email Clare Bond at The Centre for Eighteenth Century Studies, University of York, The King’s Manor, York Y01 7EP, England; email cecsl.york.ac.uk. Our website, http://www.york.ac.uk/inst/cecs gives full details about the course, the University and the city of York.”

Print Edition

  • Publisher
  • Department of English, University of Rochester
  • Rochester, NY, USA
    • Editors
    • Morris Eaves
    • Morton D. Paley
    • Managing Editor
    • Patricia Neill
    • Bibliographer
    • G.E. Bentley, Jr.
    • Review Editor
    • Nelson Hilton
    • Associate Editor for Great Britain
    • David Worrall
    • Advisory Board
    • G.E. Bentley, Jr.
    • Martin Butlin
    • Detlef W. Dörrbecker
    • Robert N. Essick
    • Angela Esterhammer
    • Nelson Hilton
    • Anne K. Mellor
    • Joseph Viscomi
    • David Worrall
    • Contributors
    • G.E. Bentley, Jr.
    • Robert N. Essick
    • Patrick Noon
    • Ian Singer
    • Warren Stevenson

    Digital Edition

    • Editors:
    • Morris Eaves, University of Rochester
    • Robert Essick, University of California, Riverside
    • Joseph Viscomi, University of North Carolina at Chapel Hill
    • Managing Editor
    • Joe Fletcher
    • Assistant Editor Editor
    • Michael Fox
    • Previous Project Manager and Technical Editor
    • William Shaw
    • Adam McCune
    • Managing Editor Blake/An Illustrated Quarterly
    • Sarah Jones
    • Project Director and Assistant Project Manager
    • Grant Glass
    • Project Coordinator, University of Rochester:
    • Eric Loy
    • Scanning:
    • UNC Digital Production Center
    • XML Encoding:
    • Apex CoVantage
    • Additional Transcription:
    • Adam McCune
    • Jennifer Park
    • Emendations:
    • Rachael Isom
    • Mary Learner
    • Adam McCune
    • Ashley Reed
    • Jennifer Park
    • Scott Robinson
    • XSLT Development:
    • Adam McCune
    • Joseph Ryan
    • William Shaw
    • PHP and Solr Development:
    • Michael Fox
    • Adam McCune
    • Project Assistants:
    • Lauren Cameron,
    • Rachael Isom,
    • Mary Learner,
    • Jennifer Park,
    • Ashley Reed,
    • Adair Rispoli,
    • Scott Robinson
    • Sponsors
    • Funders
    • Blake/An Illustrated Quarterly
    • William Blake Archive
    • Carolina Digital Library and Archives
    • Use Restrictions
    • Copyright © 2019 Blake/An Illustrated Quarterly, all rights reserved. Items in this digital edition may be shared in accordance with the Fair Use provisions of U.S. copyright law. Redistribution or republication on other terms, in any medium, requires express written consent from the editors and advance notification of the publisher. Permission to reproduce the graphic images in this digital edition rests with the owning institutions.