Volume 35 · Issue 1

Summer 2001

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ADVISORY BOARD

G. E. Bentley, Jr., University of Toronto, retired

Martin Butlin, London

Detlef W. Dörrbecker, University of Trier

Robert N. Essick, University of California, Riverside

Angela Esterhammer, University of Western Ontario

Nelson Hilton, University of Georgia

Anne K. Mellor, University of California, Los Angeles

Joseph Viscomi, University of North Carolina at Chapel Hill

David Worrall, St. Mary’s College

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CONTRIBUTORS

Michael Ferber is Professor of English and Humanities at the University of New Hampshire. His most recent book is A Dictionary of Literary Symbols. His daughter can now play “Jerusalem” on the violin.

Tilar Jenon Mazzeo teaches at the University of Wisconsin, Oshkosh, where she specializes in travel literature and Romantic poetry. She has contributed volumes to the series Critical Writings of Mary Shelley and Travels, Explorations, and Empires: Middle East (Pickering and Chatto), and published a facsimile edition of Thomas Medwin’s Lady Singleton.

Peter Otto is the author of Constructive Vision and Visionary Deconstruction (Oxford, 1991) and Blake’s Critique of Transcendence (Oxford, 2000). He has recently co-edited a microfilm collection of Gothic Fictions to be published by Adam Matthew Publications in 2002. He is currently working on a project that explores the relations between Romanticism, Mesmerism and Millenarianism.

Michael Phillips teaches an interdisciplinary MA, William Blake and the Age of Revolution, at the Centre for Eighteenth Century Studies, University of York. In addition to the recent publication of The Creation of the Songs, he was guest curator of the William Blake exhibition at Tate Britain, London. He is completing a biography of Blake in Lambeth during the anti-Jacobin terror in Britain.

Sheila A. Spector’s two-part study of Blake as a Kabbalist—“Glorious incomprehensible”: The Development of Blake’s Kabbalistic Language and “Wonders Divine”: The Development of Blake’s Kabbalistic Myth—has just been published by Bucknell University Press (2001).

EDITORS

EDITORS: Morris Eaves and Morton D. Paley

BIBLIOGRAPHER: G. E. Bentley, Jr.

REVIEW EDITOR: Nelson Hilton

ASSOCIATE EDITOR FOR GREAT BRITAIN: David Worrall

PRODUCTION OFFICE: Department of English, Morey 410, University of Rochester, Rochester NY 14627

MANAGING EDITOR: Sarah Jones
TELEPHONE 716/275-3820 FAX 716/442-5769
PRODUCTION OFFICE EMAIL: sjns@mail.rochester.edu

Morris Eaves, Department of English, University of Rochester, Rochester NY 14627
Email: meav@mail.rochester.edu

Morton D. Paley, Department of English, University of California, Berkeley CA 94720-1030
Email: mpaley@socrates.berkeley.edu

G. E. Bentley, Jr., 246 MacPherson Avenue, Toronto, Ontario M4V 1A2. The University of Toronto declines to forward mail.
Email: GBentley@chass.utoronto.ca

Nelson Hilton, Department of English, University of Georgia, Athens GA 30602
Email: nhilton@uga.cc.uga.edu

David Worrall, St. Mary’s College, Strawberry Hill, Waldegrave Road, Twickenham TW1 4SX England
Email: worralld@smuc.ac.uk

INFORMATION

BLAKE/AN ILLUSTRATED QUARTERLY is published under the sponsorship of the Department of English, University of Rochester. Subscriptions are $60 for institutions, $30 for individuals. All subscriptions are by the volume (1 year, 4 issues) and begin with the summer issue. Subscription payments received after the summer issue will be applied to the 4 issues of the current volume. Foreign addresses (except Canada and Mexico) require a $10 per volume postal surcharge for surface, and $25 per volume surcharge for air mail delivery. Credit card payment available for non-U.S. subscribers. Make checks payable to Blake/An Illustrated Quarterly. Address all subscription orders and related communications to Sarah Jones, Blake, Department of English, University of Rochester, Rochester NY 14627. Back issues are available; address Sarah Jones for a list of issues and prices.

MANUSCRIPTS are welcome in either hard copy or electronic form. Send two copies, typed and documented according to forms suggested in The MLA Style Manual, to either of the editors: Morris Eaves, Dept. of English, University of Rochester, Rochester NY 14627; Morton D. Paley, Dept. of English, University of California, Berkeley CA 94720-1030. No articles will be returned unless accompanied by a stamped self-addressed envelope. For electronic submissions, you may send a diskette, or you may send your article as an attachment to an email message. The optimal format is Microsoft Word. Other formats are usually acceptable.

INTERNATIONAL STANDARD SERIAL NUMBER: 0160-628x. Blake/An Illustrated Quarterly is indexed in the Modern Language Association’s International Bibliography, the Modern Humanities Research Association’s Annual Bibliography of English Language and Literature, The Romantic Movement: A Selective and Critical Bibliography (ed. David V. Erdman et al.), American Humanities Index, Arts and Humanities Citation Index, Current Contents and the Bibliography of the History of Art.

Cover: Details of figures on pages 13, 16, and 21.

© 2001 Copyright Morris Eaves and Morton D. Paley

Print Edition

  • Publisher
  • Department of English, University of Rochester
  • Rochester, NY, USA
    • Editors
    • Morris Eaves
    • Morton D. Paley
    • Managing Editor
    • Sarah Jones
    • Bibliographer
    • D.W. Dörrbecker
    • Review Editor
    • Nelson Hilton
    • Associate Editor for Great Britain
    • David Worrall
    • Advisory Board
    • G.E. Bentley, Jr.
    • Martin Butlin
    • D.W. Dörrbecker
    • Robert N. Essick
    • Angela Esterhammer
    • Nelson Hilton
    • Anne K. Mellor
    • Joseph Viscomi
    • David Worrall
    • Contributors
    • Michael Ferber
    • Tilar Jenon Mazzeo
    • Peter Otto
    • Michael Phillips
    • Sheila A. Spector

    Digital Edition

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    • Robert Essick, University of California, Riverside
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    • Project Manager
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    • Technical Editor
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    • Previous Project Manager and Technical Editor
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    • Copyright © 2015 Blake/An Illustrated Quarterly, all rights reserved. Items in this digital edition may be shared in accordance with the Fair Use provisions of U.S. copyright law. Redistribution or republication on other terms, in any medium, requires express written consent from the editors and advance notification of the publisher. Permission to reproduce the graphic images in this digital edition rests with the owning institutions.