Volume 35 · Issue 3

Winter 2002

article PDF · issue PDF

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ADVISORY BOARD

G. E. Bentley, Jr., University of Toronto, retired

Martin Butlin, London

Detlef W. Dörrbecker, University of Trier

Robert N. Essick, University of California, Riverside

Angela Esterhammer, University of Western Ontario

Nelson Hilton, University of Georgia

Anne K. Mellor, University of California, Los Angeles

Joseph Viscomi, University of North Carolina at Chapel Hill

David Worrall, St. Mary’s College

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CONTRIBUTORS

Martin Butlin was formerly Keeper of the Historic British Collection at the Tate Gallery, London. Since retirement, he has continued to work on Blake, J.M.W. Turner, and other British artists.

Robert N. Essick studied printmaking at Pasadena City College in the mid-1970s. Since then, he has continued to experiment with Blake’s etching processes and to print from facsimile plates. Selections of his plates and prints have been shown at several exhibitions, including “William Blake and the Art of His Time,” held at the University of California at Santa Barbara in 1976, “The Mechanised Image,” organized by the Arts Council of Great Britain in 1978, and “William Blake’s Illuminated Prints,” held at the Huntington Library in 1994.

Joseph Viscomi studied printmaking at Columbia University, and identified and catalogued prints for the Departments of Prints and Drawings at the Museum of the City of New York and Herbert F. Johnson Museum. He was the technical consultant on the Manchester Etching Workshop 1983 facsimile of Songs, for which he wrote The Art of William Blake’s Illuminated Prints, has curated numerous print exhibitions, including “Prints by Blake and His Followers” held at the Johnson Museum, and edited Process & Problems in Contemporary Printmaking, the exhibition catalogue of prints by John Brody. He is the author of “Illuminated Printing” in the forthcoming Cambridge Companion to Blake.

EDITORS

EDITORS: Morris Eaves and Morton D. Paley BIBLIOGRAPHER: G. E. Bentley, Jr. REVIEW EDITOR: Nelson Hilton ASSOCIATE EDITOR FOR GREAT BRITAIN: David Worrall

PRODUCTION OFFICE: Department of English, Morey Hall 410, University of Rochester, Rochester NY 14627-0451

MANAGING EDITOR: Sarah Jones
TELEPHONE: 585/275-3820 FAX: 585/442-5769
PRODUCTION OFFICE EMAIL: sjns@mail.rochester.edu

Morris Eaves, Department of English, University of Rochester, Rochester NY 14627-0451
Email: meav@mail.rochester.edu

Morton D. Paley, Department of English, University of California, Berkeley CA 94720-1030
Email: mpaley@socrates.berkeley.edu

G. E. Bentley, Jr., 246 MacPherson Avenue, Toronto, Ontario M4V 1A2 Canada. The University of Toronto declines to forward mail.
Email: GBentley@chass.utoronto.ca

Nelson Hilton, Department of English, University of Georgia, Athens GA 30602
Email: nhilton@english.uga.edu

David Worrall, St. Mary’s College, Strawberry Hill, Waldegrave Road, Twickenham TW1 4SX England
Email: worralld@smuc.ac.uk

INFORMATION

BLAKE/AN ILLUSTRATED QUARTERLY is published under the sponsorship of the Department of English, University of Rochester. Subscriptions are $60 for institutions, $30 for individuals. All subscriptions are by the volume (1 year, 4 issues) and begin with the summer issue. Subscription payments received after the summer issue will be applied to the 4 issues of the current volume. Addresses outside the U.S., Canada, and Mexico require a $10 per volume postal surcharge for surface, and $25 per volume surcharge for air mail delivery. Credit card payment available for non-U.S. subscribers. Make checks payable to Blake/An Illustrated Quarterly. Address all subscription orders and related communications to Sarah Jones, Blake, Department of English, University of Rochester, Rochester NY 14627-0451. Back issues are available; address Sarah Jones for information on issues and prices, or consult the web site.

MANUSCRIPTS are welcome in either hard copy or electronic form. Send two copies, typed and documented according to forms suggested in The MLA Style Manual, to either of the editors: Morris Eaves, Dept. of English, University of Rochester, Rochester NY 14627-0451; Morton D. Paley, Dept. of English, University of California, Berkeley CA 94720-1030. No articles will be returned unless accompanied by a stamped self-addressed envelope. For electronic submissions, you may send a diskette, or you may send your article as an attachment to an email message. The preferred file format is RTF. Other formats are usually acceptable.

INTERNATIONAL STANDARD SERIAL NUMBER: 0160-628x. Blake/An Illustrated Quarterly is indexed in the Modern Language Association’s International Bibliography, the Modern Humanities Research Association’s Annual Bibliography of English Language and Literature, American Humanities Index, Arts and Humanities Citation Index, Current Contents and the Bibliography of the History of Art.

Cover: Detail of “The Gambols of Ghosts according with their affections previous to the final Judgment.” Pen, ink and watercolor, 27.4 × 21.7 cm., 1805. Courtesy of Dominic Winter Book Auctions.

© 2002 Copyright Morris Eaves and Morton D. Paley

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David V. Erdman
1911-2001

Print Edition

  • Publisher
  • Department of English, University of Rochester
  • Rochester, NY, USA
    • Editors
    • Morris Eaves
    • Morton D. Paley
    • Managing Editor
    • Sarah Jones
    • Bibliographer
    • G.E. Bentley, Jr.
    • Review Editor
    • Nelson Hilton
    • Associate Editor for Great Britain
    • David Worrall
    • Advisory Board
    • G.E. Bentley, Jr.
    • Martin Butlin
    • D.W. Dörrbecker
    • Robert N. Essick
    • Angela Esterhammer
    • Nelson Hilton
    • Anne K. Mellor
    • Joseph Viscomi
    • David Worrall
    • Contributors
    • Martin Butlin
    • Robert N. Essick
    • Joseph Viscomi

    Digital Edition

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    • Robert Essick, University of California, Riverside
    • Joseph Viscomi, University of North Carolina at Chapel Hill
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    • Previous Project Manager and Technical Editor
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    • Copyright © 2015 Blake/An Illustrated Quarterly, all rights reserved. Items in this digital edition may be shared in accordance with the Fair Use provisions of U.S. copyright law. Redistribution or republication on other terms, in any medium, requires express written consent from the editors and advance notification of the publisher. Permission to reproduce the graphic images in this digital edition rests with the owning institutions.