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WORKS IN PROGRESS

Ann Dunlap: a study of “The Mental Traveller” in relation to twentieth-century literary criticism; a Ph.D. dissertation directed by Morris Eaves at the University of New Mexico.

James Ferguson: a study of the reintegrating or religious vision of Jerusalem and Biblical prophecy, with special reference to the Book of Ezekiel; and the structure of Jerusalem with regard to eighteenth-century ideas of Biblical prophecy; a Ph.D. dissertation directed by Michael Phillips at the University of Edinburgh.

Frank M. Parisi: a study of the relationship of the Book of Job to Blake’s painting, engraving, and poetry by research in the visual, poetic, and theological sources from which Blake drew both for his understanding of the Book of Job as a work of literature and for the imagery in The Gates of Paradise, the Songs, some of the early prophetic books, and the engravings and watercolors of the Book of Job; a Ph.D. dissertation directed by Michael Phillips at the University of Edinburgh.

Lois Viscoli: a study of Prometheus as an archetype of creativity in the works of Blake and Shelley; a Ph.D. dissertation directed by Morris Eaves at the University of New Mexico.

Print Edition

  • Publisher
  • Department of English, University of New Mexico
  • Albuquerque, NM, USA
    • Executive Editor
    • Morton D. Paley
    • Managing Editor
    • Morris Eaves
    • Associate Editor
    • Michael Phillips
    • Editorial Assistant
    • Marta Field
    • Bibliographer
    • Foster Foreman

    Digital Edition

    • Editors:
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    • Robert Essick, University of California, Riverside
    • Joseph Viscomi, University of North Carolina at Chapel Hill
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    • Technical Editor
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    • Previous Project Manager and Technical Editor
    • William Shaw
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    • Additional Transcription:
    • Adam McCune
    • Jennifer Park
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    • Mary Learner
    • Adam McCune
    • Ashley Reed
    • Jennifer Park
    • Scott Robinson
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    • William Shaw
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    • Project Assistants:
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    • Mary Learner,
    • Jennifer Park,
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    • Adair Rispoli,
    • Scott Robinson
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    • Copyright © 2015 Blake/An Illustrated Quarterly, all rights reserved. Items in this digital edition may be shared in accordance with the Fair Use provisions of U.S. copyright law. Redistribution or republication on other terms, in any medium, requires express written consent from the editors and advance notification of the publisher. Permission to reproduce the graphic images in this digital edition rests with the owning institutions.