begin page 71 | back to top


In a chapter entitled “English Painters” in the anonymous Letters from an Irish Student in England to His Father in Ireland (London: Cradock and Joy, 1809), two volumes bound in one, is the following passage:

As you have heard so much of Mr. Fuzeli, I fear you would suspect that I have negligently passed over his works, were I to omit mentioning him here. If such an apprehension did not operate, I should certainly scarcely think he merited posterity. I sincerely hope he will afford them more gratification than he does his contemporaries. He has a great admirer and defender, I believe the only one, in a Mr. W. Blake, a miserable engraver, and one of the most eccentric men of the age. This man has hailed him as the modern Michael Angelo. For my part, I have never seen a painting of Fuzeli, his Night-Mare excepted, which has certainly merit, which did not appear to be the crude efforts of a man writhing under an agonizing dream of indigestion.—Every figure appears to be a grave and mysterious caricature. The faces of his men are generally very livid, with their eyeballs starting from their sockets; and his ladies have as usually a greenish complexion. Their attitudes are always forced into painful distortion, and the feet of both sexes never fail to terminate in a tapering point, almost as sharp as the steel spur of a game cock.
In most of his works chaos seems to “have come again;” indeed, with such incomprehensible sublimity are his subjects sometimes handled, that the men employed at the academy by the hanging committee to hang up the paintings according to their directions, previous to the annual exhibition, actually, by a most ludicrous mistake, suspended one of his pictures with the bottom upwards, from conceiving that the top was the bottom.
Fuzeli is a man of learning, and, in his academical lectures, some of which I have perused, much genius, ability, and depth of thought and reading, are displayed. It is to be lamented that he does not wholly substitute the pen for the pencil. This is the man who threw Cowper, the poet, into a relapse of melancholy madness, by saying that he was an incorrigible dog, for not immediately adopting some correction which Fuzeli made in his MS. prose translation of Homer. Indeed, I am told there is a moroseness and haughtiness in the spirit and manners of this man both forbidding and disgusting. I do not, however, think his mind is as frightful as his pictures; though his pride sometimes gets the better of his reason.
The only indication we have of the author is in the Preface, which describes him as “an Irish gentleman, who lately prosecuted his legal studies in this country to qualify him for the Irish bar. . . .”

Robert F. Gleckner is Professor of English and Dean of the College of Humanities at the University of California, Riverside. He is the author of The Piper and the Bard: A Study of William Blake and Byron and the Ruins of Paradise, and editor of Romanticism: Points of View.

Print Edition

  • Publisher
  • Department of English, University of New Mexico
  • Albuquerque, NM, USA
    • Executive Editor
    • Morton D. Paley
    • Managing Editor
    • Morris Eaves
    • Associate Editor
    • Michael Phillips
    • Editorial Assistants for Production
    • Michael Davies
    • Judith Wallick Page
    • Editorial Assistant for Subscriptions
    • Graham Conley
    • Bibliographer
    • Foster Foreman

    Digital Edition

    • Editors:
    • Morris Eaves, University of Rochester
    • Robert Essick, University of California, Riverside
    • Joseph Viscomi, University of North Carolina at Chapel Hill
    • Project Manager
    • Joe Fletcher
    • Technical Editor
    • Michael Fox
    • Previous Project Manager and Technical Editor
    • William Shaw
    • Project Director
    • Adam McCune
    • Project Coordinator, UNC:
    • Natasha Smith, Carolina Digital Library and Archives
    • Project Coordinator, University of Rochester:
    • Sarah Jones
    • Scanning:
    • UNC Digital Production Center
    • XML Encoding:
    • Apex CoVantage
    • Additional Transcription:
    • Adam McCune
    • Jennifer Park
    • Emendations:
    • Rachael Isom
    • Mary Learner
    • Adam McCune
    • Ashley Reed
    • Jennifer Park
    • Scott Robinson
    • XSLT Development:
    • Adam McCune
    • Joseph Ryan
    • William Shaw
    • PHP and Solr Development:
    • Michael Fox
    • Adam McCune
    • Project Assistants:
    • Lauren Cameron,
    • Rachael Isom,
    • Mary Learner,
    • Jennifer Park,
    • Ashley Reed,
    • Adair Rispoli,
    • Scott Robinson
    • Sponsors
    • Funders
    • Blake/An Illustrated Quarterly
    • William Blake Archive
    • Carolina Digital Library and Archives
    • Use Restrictions
    • Copyright © 2015 Blake/An Illustrated Quarterly, all rights reserved. Items in this digital edition may be shared in accordance with the Fair Use provisions of U.S. copyright law. Redistribution or republication on other terms, in any medium, requires express written consent from the editors and advance notification of the publisher. Permission to reproduce the graphic images in this digital edition rests with the owning institutions.