begin page 129 | back to top


Janet M. Todd, ed. A Wollstonecraft Anthology. Bloomington: Indiana University Press, 1977. $16.50.

Two years Blake’s junior, an ambitious Mary Wollstonecraft arrived in London in 1787 at the age of twenty-eight, seeking a living by her pen and declaring in a letter to her sister, “I am going to be the first of a new genus.” Like Blake, Wollstonecraft was essentially self-educated. She had survived a penurious childhood and the conventional and humiliating employments of widow’s companion and governess. She had abducted a sister from a bad marriage, organized a school for girls, participated in Newington Green’s community of intellectual Dissenters which included Richard Price, and attended the deathbeds of her mother and of a best friend in Portugal. Having written Thoughts on the Education of Daughters and Mary, a Fiction, both published by Joseph Johnson, she meant to support herself—and a number of kin. She was, she told Johnson, “not fond of grovelling.”

Working for Johnson first as translator and reader, later as reviewer and editorial assistant for The Analytical Review, Wollstonecraft continued begin page 130 | back to top to produce tracts: at first moral, then—under the influence of the Johnson circle—profoundly political. Her Original Stories from Real Life, in which two girls are taught virtue and benevolence by a stern but compassionate mother-figure, was illustrated by Blake in 1788, and contained no revolutionary notions. In 1789 the Bastille fell, and all was changed utterly. Price preached his sermon welcoming the revolution and urging reform in England. Edmund Burke replied with the eloquently conservative Reflections on the Revolution in France. And Wollstonecraft excitedly wrote Vindication of the Rights of Men, defending reason and liberty, attacking “the demon of property,” inherited privilege, and the hypocrisy of Burkean sentiment—which could pity queens but not the hungry poor. In one important digression, Wollstonecraft assails Burke’s opinion of women. Another passage criticizes the “narrow circle” of the wealthy family which loves only itself instead of all mankind (cf. Blake on “soft family love” and “storgous appetite”) and sells its children into “legal prostitution.” Johnson published the book immediately in 1790, and it was widely reviewed. The argument extended in 1792 to the Vindication of the Rights of Woman brought fame and notoriety; for Horace Walpole the author was “a hyena in petticoats.”

Though ardent, impulsive, and thirsty for love, Wollstonecraft seems to have had no affairs of the heart before 1791. In this year she became infatuated with Fuseli, pursued him desperately in person and by letter, and proposed to live with him and his wife. Rejected, she sailed for France. There ensued the self-deluding, initially ecstatic and finally disastrous[e] affair with Gilbert Imlay, which resulted in a daughter, two suicide attempts, and an offer—again rejected—to live with Imlay and his new mistress. A tract on the French Revolution, and a book of travel letters, come from this period. Wolstonecraft’s ultimate liaison and secret marriage with Godwin ended in her death in 1797 after the birth of Mary Godwin, and the shattering of her reputation when her widower fondly published her Posthumous Works including her love-letters to Imlay, which he praised for their “sentiment and passion,” and his Memoir, which told the tale of Fuseli as well as Imlay. A torrent of abuse hailed down. A 1798 poem entitled The Unsex’d Females depicts a licentious and voluptuous Wollstonecraft. The Anti-Jacobin Review ridicules both Godwins and calls The Rights of Woman “a scripture, archly fram’d, for propagating whores.” Its author had met, by common consent, the death she deserved. If the Pickering “Mary” is a tribute to Mary Wollstonecraft, born like Blake with “a different face,” it may owe as much to Blake’s horror at her critics as to her actual character.

The largest debt, if debt there be, of Blake to Wollstonecraft, is in Visions of the Daughters of Albion, whose heroine is unique in romantic literature—and unique for Blake, since his later heroines do not feel and think at the same time. Like Wollstonecraft, Oothoon is heart and head. She is both assertively erotic and brilliantly intellectual, generous of spirit yet smart enough to attack patriarchy root and branch. Though the “story” of Visions is not Wollstonecraft’s, her proposition to the Fuselis (assuming these matters were gossipped about) might have made Oothoon’s offer to fetch silver and gold girls for Theotormon seem plausible. Moreover, the Vindication of the Rights of Man may be linked to Visions by imagery and rhetoric as well as ideology and the fact that we have a distinctly unladylike female addressing a man who loves chivalry. “Why cannot estates be divided into small farms?” Wollstonecraft asks Burke:

Why does the brown waste meet the traveller’s view, when men want to work? . . . . Why might not the industrious peasant be allowed to steal a farm from the heath? . . . . how much misery lurks in pestilential corners . . . how many mechanics, by a flux of trade or fashion, lose their employment . . . . Where is the eye that marks these evils, more gigantic than any of the infringements of property, which you piously deprecate? Let these sorrows hide their diminished head before the tremendous mountain of woe that thus defaces our globe! Man preys on man, and you mourn for the idle tapestry that decorated a gothic pile, and the dronish bell that summoned the fat priest to prayer.
From Vindication of the Rights of Woman, Blake might, while ignoring its central argument in favor of female independence, have been impressed by a woman who could declare, “I . . . deny the existence of sexual virtues, not excepting modesty” and “the modesty of women . . . will often be only the artful veil of wantonness.” The Blake of “London,” “To the Accuser who is the God of This World” and Jerusalem would have approved Wollstonecraft’s sympathetic treatment of prostitutes, and the fact that one of the two heroines in her second novel, The Wrongs of Woman, is an ex-thief and prostitute, while the other lives with the man she loves though married to a brute, and assails the marriage laws in court. Blake would, I think (this is my understanding of the major prophecies) have agreed with Wollstonecraft that “from the tyranny of men . . . the greater number of female follies proceed; and the cunning, which I allow makes at present a part of their character . . . is produced by oppression.” And if he read Wollstonecraft on the French Revolution, he would surely have been struck—as Janet Todd points out that John Adams and Percy Bysshe Shelley were—by its idea of mental evolution (“the image of God implanted in our nature is now more rapidly expanding”), her dialectical view of history and politics, and her ability both to deplore and to analyze the causes of revolutionary violence.

Todd’s Wollstonecraft Anthology performs the valuable service of making selections available from all the author’s works, some of which exist in print only in expensive facsimile editions. The general introduction gives a good synopsis of Wollstonecraft’s life, writing, and reputation, stressing the development of her thought from rationalism to radicalism, and seeing her life essentially as a “struggle” against her own social conditioning. Blakeans may be interested in this point, though Blake’s personal struggle with Reason is archetypically male, while Wollstonecraft’s with Passion is archetypically female.

begin page 131 | back to top

The headnotes to individual selections in this volume place them in the context of their genres, and the selections themselves are ample, illustrating the variety of the writer’s styles and concerns. I personally would have enjoyed seeing fewer of the not-immensely-original “Thoughts on the Education of Daughters” and the uniformly disdainful reviews of novels by women Wollstonecraft thought were idiots. I would have liked more of The Wrongs of Woman and some of the early letters to friends and family as well as the letters to Imlay and Godwin, and perhaps one of the Vindications in full. On the other hand, the decision to give a large sampling of hard-to-find material makes sense. All in all, this will be a highly useful book.

Print Edition

  • Publisher
  • Department of English, University of New Mexico
  • Albuquerque, NM, USA
    • Editors
    • Morris Eaves
    • Morton D. Paley
    • Editorial Assistant in Charge
    • Susan Corban
    • Editorial Assistants
    • Wayne Erickson
    • Wendy Jones
    • Kris Lackey
    • Bibliographer
    • Thomas L. Minnick
    • Review Editor
    • Nelson Hilton
    • Associate Editor for Great Britain
    • Frances A. Carey
    • Contributors
    • G.E. Bentley, Jr.
    • Stuart Curran
    • John E. Grant
    • Nelson Hilton
    • Bo Lindberg
    • Ann Bermingham Miller
    • W.J.T. Mitchell
    • E.B. Murray
    • Alicia Ostriker
    • David Simpson
    • Hoyt Trowbridge

    Digital Edition

    • Editors:
    • Morris Eaves, University of Rochester
    • Robert Essick, University of California, Riverside
    • Joseph Viscomi, University of North Carolina at Chapel Hill
    • Project Manager
    • Joe Fletcher
    • Technical Editor
    • Michael Fox
    • Previous Project Manager and Technical Editor
    • William Shaw
    • Project Director
    • Adam McCune
    • Project Coordinator, UNC:
    • Natasha Smith, Carolina Digital Library and Archives
    • Project Coordinator, University of Rochester:
    • Sarah Jones
    • Scanning:
    • UNC Digital Production Center
    • XML Encoding:
    • Apex CoVantage
    • Additional Transcription:
    • Adam McCune
    • Jennifer Park
    • Emendations:
    • Rachael Isom
    • Mary Learner
    • Adam McCune
    • Ashley Reed
    • Jennifer Park
    • Scott Robinson
    • XSLT Development:
    • Adam McCune
    • Joseph Ryan
    • William Shaw
    • PHP and Solr Development:
    • Michael Fox
    • Adam McCune
    • Project Assistants:
    • Lauren Cameron,
    • Rachael Isom,
    • Mary Learner,
    • Jennifer Park,
    • Ashley Reed,
    • Adair Rispoli,
    • Scott Robinson
    • Sponsors
    • Funders
    • Blake/An Illustrated Quarterly
    • William Blake Archive
    • Carolina Digital Library and Archives
    • Use Restrictions
    • Copyright © 2015 Blake/An Illustrated Quarterly, all rights reserved. Items in this digital edition may be shared in accordance with the Fair Use provisions of U.S. copyright law. Redistribution or republication on other terms, in any medium, requires express written consent from the editors and advance notification of the publisher. Permission to reproduce the graphic images in this digital edition rests with the owning institutions.