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WORKS IN PROGRESS

Adlard, John, The Sports of Cruelty (published by Cecil and Amelia Woolf), primarily about folklore sources of William Blake.[e]

Bogen, Nancy, a critical edition of The Book of Thel with a new interpretation; a study of Blake’s development as a self-styled prophet in light of 18th century Bible study; directing a thesis on Blake and Whitman as Visionaries.

Duerksen, Roland A., a book-length study dealing with self and society in the poetry of Blake, Coleridge, Keats and Shelley.

Hagstrum, Jean, a collection of essays (some already published) on Meaning in Design and Word; directing a dissertation: Elaine Kauvar,[e] “Blake’s ‘Vegetable Universe’: A Study of Botanical Imagery and its Context.”

Helmstadter, Thomas, an article on Blake’s ideas and symbolism in selected Night Thoughts illustrations.

Johnson, Mary Lynn, a study of the relationship of the Bard’s song to the rest of the poem in Milton.

Singer, June, The Unholy Bible, a psychological study of Blake (item contributed by Mary Lynn Johnson).

Spencer, Jeffry, a study of Blake’s illustrations to Milton’s poetry.

Todd, Ruthven, a new, annotated edition of Gilchrist’s Life; a “Pictureback” on Blake to be published by Studio Vista/Dutton; a study of Blake’s illustrative techniques to be called William Blake: The Technical Man.

Tolley, Michael J., Ph.D. thesis: “William Blake’s use of the Bible”; a project to edit (for the Clarendon Press) Blake’s Night Thoughts illustrations, co-editor with John E. Grant, Edward J. Rose (coordinated by David V. Erdman); articles: one on “The Fly” in the next issue of Blake Studies (an exchange with Hagstrum); one on Europe in the Princeton collection edited by Erdman and Grant.

Print Edition

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    • Associate Editors
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    • Andrew Griffin
    • Michael Phillips
    • Editorial Assistant
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    Digital Edition

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    • Copyright © 2015 Blake/An Illustrated Quarterly, all rights reserved. Items in this digital edition may be shared in accordance with the Fair Use provisions of U.S. copyright law. Redistribution or republication on other terms, in any medium, requires express written consent from the editors and advance notification of the publisher. Permission to reproduce the graphic images in this digital edition rests with the owning institutions.