Volume 40 · Issue 3

Winter 2006/2007

article pdf · issue pdf

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ADVISORY BOARD

G. E. Bentley, Jr., University of Toronto, retired

Martin Butlin, London

Detlef W. Dörrbecker, University of Trier

Robert N. Essick, University of California, Riverside

Angela Esterhammer, University of Western Ontario

Nelson Hilton, University of Georgia

Anne K. Mellor, University of California, Los Angeles

Joseph Viscomi, University of North Carolina at Chapel Hill

David Worrall, The Nottingham Trent University

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CONTRIBUTORS

Marsha Keith Schuchard (keithschuchard@hotmail.com) has recently published Why Mrs. Blake Cried: William Blake and the Sexual Basis of Spiritual Vision (London: Century-Random House, 2006). She is currently completing a sequel to Restoring the Temple of Vision: Cabalistic Freemasonry and Stuart Culture (Leiden: Brill, 2002), which will cover British and international Masonic developments and their political and cultural ramifications from 1689 to 1750.

Keri Davies (keri.davies@ntu.ac.uk) is secretary of the Blake Society. He is currently research fellow in the Department of English, Nottingham Trent University.

Thomas R. Frosch (tfrosch@nyc.rr.com) is professor of English at Queens College (CUNY) and is the author of a book on Blake, The Awakening of Albion (Cornell University Press, 1974) and a forthcoming book, Shelley and the Romantic Imagination: A Psychological Study (University of Delaware Press).

EDITORS

EDITORS: Morris Eaves and Morton D. Paley

BIBLIOGRAPHER: G. E. Bentley, Jr.

REVIEW EDITOR: Alexander S. Gourlay

ASSOCIATE EDITOR FOR GREAT BRITAIN: David Worrall

PRODUCTION OFFICE: Department of English, Morey 410, University of Rochester, Rochester NY 14627-0451

MANAGING EDITOR: Sarah Jones sarah.jones@rochester.edu TELEPHONE: 585/275-3820 FAX: 585/442-5769

Morris Eaves, Department of English, University of Rochester, Rochester NY 14627-0451
Email: meav@mail.rochester.edu

Morton D. Paley, Department of English, University of California, Berkeley CA 94720-1030
Email: mpaley@berkeley.edu

G. E. Bentley, Jr., 246 MacPherson Avenue, Toronto, Ontario M4V 1A2 Canada

Alexander S. Gourlay, Department of English, Rhode Island School of Design, 2 College Street, Providence RI 02903-2717
Email: agourlay@risd.edu

David Worrall, Faculty of Humanities, The Nottingham Trent University, Clifton Lane, Nottingham NG11 8NS UK
Email: david.worrall@ntu.ac.uk

INFORMATION

Blake/An Illustrated Quarterly is published under the sponsorship of the Department of English, University of Rochester. Subscriptions are $60 for institutions, $30 for individuals. All subscriptions are by the volume (1 year, 4 issues) and begin with the summer issue. Subscription payments received after the summer issue will be applied to the current volume. Addresses outside the US, Canada, and Mexico require a $15 per volume postal surcharge for surface delivery, or $20 for airmail. Credit card payment is available. Make checks payable to Blake/An Illustrated Quarterly. Address all subscription orders and related communications to Sarah Jones, Blake, Department of English, University of Rochester, Rochester NY 14627-0451. Back issues are available; address Sarah Jones for information on issues and prices, or consult the web site.

Manuscripts are welcome in either hard copy or electronic form. Send two copies, typed and documented according to forms suggested in the MLA Style Manual, and with pages numbered, to either of the editors. No articles will be returned unless accompanied by a stamped self-addressed envelope. For electronic submissions, you may send a disk, or send your article as an attachment to an email message; please number the pages of electronic submissions. The preferred file format is RTF; other formats are usually acceptable.

International Standard Serial Number: 0160-628x. Blake/An Illustrated Quarterly is indexed in the Modern Language Association’s International Bibliography, the Modern Humanities Research Association’s Annual Bibliography of English Language and Literature, American Humanities Index, Arts and Humanities Citation Index, Current Contents and the Bibliography of the History of Art.

Cover: Der Christen ABC (1750), letter O (detail). Ephrata Cloister, Pennsylvania Historical and Museum Commission.

© 2007 Copyright Morris Eaves and Morton D. Paley

Print Edition

  • Publisher
  • Department of English, University of Rochester
  • Rochester, NY, USA
    • Editors
    • Morris Eaves
    • Morton D. Paley
    • Managing Editor
    • Sarah Jones
    • Bibliographer
    • G.E. Bentley, Jr.
    • Review Editor
    • Alexander S. Gourlay
    • Associate Editor for Great Britain
    • David Worrall
    • Advisory Board
    • G.E. Bentley, Jr.
    • Martin Butlin
    • D.W. Dörrbecker
    • Robert N. Essick
    • Angela Esterhammer
    • Nelson Hilton
    • Anne K. Mellor
    • Joseph Viscomi
    • David Worrall
    • Contributors
    • Marsha Keith Schuchard
    • Keri Davies
    • Thomas R. Frosch

    Digital Edition

    • Editors:
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    • Robert Essick, University of California, Riverside
    • Joseph Viscomi, University of North Carolina at Chapel Hill
    • Project Manager
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    • Technical Editor
    • Michael Fox
    • Previous Project Manager and Technical Editor
    • William Shaw
    • Project Director
    • Adam McCune
    • Project Coordinator, UNC:
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    • Project Coordinator, University of Rochester:
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    • Additional Transcription:
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    • Jennifer Park
    • Emendations:
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    • Ashley Reed
    • Jennifer Park
    • Scott Robinson
    • XSLT Development:
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    • Joseph Ryan
    • William Shaw
    • PHP and Solr Development:
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    • Project Assistants:
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    • Mary Learner,
    • Jennifer Park,
    • Ashley Reed,
    • Adair Rispoli,
    • Scott Robinson
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    • Use Restrictions
    • Copyright © 2015 Blake/An Illustrated Quarterly, all rights reserved. Items in this digital edition may be shared in accordance with the Fair Use provisions of U.S. copyright law. Redistribution or republication on other terms, in any medium, requires express written consent from the editors and advance notification of the publisher. Permission to reproduce the graphic images in this digital edition rests with the owning institutions.