Encyclopaedic Resistance: Blake, Rees’s
Cyclopædia, and the Laocoön Separate Plate
By Rosamund A. Paice
Blake’s Graphic Use of Hebrew
By Sheila A. Spector
G. E. Bentley, Jr., University of Toronto, retired
Martin Butlin, London
Detlef W. Dörrbecker, University of Trier
Robert N. Essick, University of California, Riverside
Angela Esterhammer, University of Western Ontario
Nelson Hilton, University of Georgia
Anne K. Mellor, University of California, Los Angeles
Joseph Viscomi, University of North Carolina at Chapel Hill
David Worrall, Nottingham Trent University
Rosamund A. Paice lectures in English at the University of Lancaster. She completed her doctoral study of Blake’s Laocoön separate plate in 2002, and is currently working on Blake’s illustrations to Dante and the Bible, with the aim of producing a book on literary responses in Blake’s later works. Her particular interest is in the way in which Blake rewrote for his own purposes the history and meaning of his own and others’ creations.
Sheila A. Spector, author of “Glorious incomprehensible”: The Development of Blake’s Kabbalistic Language, and “Wonders Divine”: The Development of Blake’s Kabbalistic Myth (both published by Bucknell University Press in 2001), is most recently editor of British Romanticism and the Jews: History, Culture, Literature (New York: Palgrave Macmillan, 2002).
EDITORS: Morris Eaves and Morton D. Paley
BIBLIOGRAPHER: G. E. Bentley, Jr.
REVIEW EDITOR: Nelson Hilton
ASSOCIATE EDITOR FOR GREAT BRITAIN: David Worrall
PRODUCTION OFFICE: Department of English, Morey 410, University of Rochester, Rochester NY 14627-0451
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Morris Eaves, Department of English, University of Rochester, Rochester NY 14627-0451
Morton D. Paley, Department of English, University of California, Berkeley CA 94720-1030
G. E. Bentley, Jr., 246 MacPherson Avenue, Toronto, Ontario M4V 1A2 Canada
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Nelson Hilton, Department of English, University of Georgia, Athens GA 30602
David Worrall, Faculty of Humanities, Nottingham Trent University, Clifton Lane, Nottingham NG11 8NS United Kingdom
BLAKE/AN ILLUSTRATED QUARTERLY is published under the sponsorship of the Department of English, University of Rochester. Subscriptions are $60 for institutions, $30 for individuals. All subscriptions are by the volume (1 year, 4 issues) and begin with the summer issue. Subscription payments received after the summer issue will be applied to the 4 issues of the current volume. Addresses outside the U.S., Canada, and Mexico require a $15 per volume postal surcharge for surface delivery, and $20 for airmail. Credit card payment is available. Make checks payable to Blake/An Illustrated Quarterly. Address all subscription orders and related communications to Sarah Jones, Blake, Department of English, University of Rochester, Rochester NY 14627-0451. Back issues are available; address Sarah Jones for information on issues and prices, or consult the web site.
MANUSCRIPTS are welcome in either hard copy or electronic form. Send two copies, typed and documented according to forms suggested in The MLA Style Manual, and with pages numbered, to either of the editors: Morris Eaves, Dept. of English, University of Rochester, Rochester NY 14627-0451; Morton D. Paley, Dept. of English, University of California, Berkeley CA 94720-1030. No articles will be returned unless accompanied by a stamped self-addressed envelope. For electronic submissions, you may send a diskette, or send your article as an attachment to an email message; please number the pages of electronic submissions. The preferred file format is RTF; other formats are usually acceptable.
INTERNATIONAL STANDARD SERIAL NUMBER: 0160-628x. Blake/An Illustrated Quarterly is indexed in the Modern Language Association’s International Bibliography, the Modern Humanities Research Association’s Annual Bibliography of English Language and Literature, American Humanities Index, Arts and Humanities Citation Index, Current Contents and the Bibliography of the History of Art.
Cover: William Blake, Laocoön. Fitzwilliam Museum.[e]
© 2003 Copyright Morris Eaves and Morton D. Paley