Volume 3 · Issue 2

September 26, 1969

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[Blake’s Visionary Forms Dramatic, edited by David V. Erdman and John E. Grant]

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Scheduled for publication by Princeton University Press in 1970: Blake’s Visionary Forms Dramatic, edited by David V. Erdman and John E. Grant, comprising a preface by Professor Erdman, 20 articles, and 71 plates (7 in color). The articles are:

1. “Apprenticeship in the Haymarket” by Martha England

2. “The French Revolution: Revelation’s New Form” by William F. Halloran.

3. “Blake’s Composite Art” by W.J.T. Mitchell.

4. “Blake and the Sister-Arts Tradition” by Jean Hagstrum.

5. “America: New Expanses” by David V. Erdman.

6. “Europe: ‘to those ychain’d in sleep’” by Michael J. Tolley.

7. “Urizen: the Symmetry of Fear” by Robert E. Simmons.

8. “Blake’s Use of Gesture” by Janet W. Warner.

9. “Innocence & Experience: the Thrust of Design” by Eben Bass.

10. “The Presence of Cupid and Psyche” by Irene H. Chayes.

11. “Blake and Urizen” by John Sutherland.

12. “Orc as a Fiery Paradigm of Poetic Torsion” by George Quasha

13. “Metamorphoses of a Favourite Cat” by Irene Tayler

14. “Envisioning the First Night Thoughts” by John E. Grant.

15. “Text and Design in Illustrations of the Book of Job” by Ben Nelms.

16. “Epic Irony in Milton” by Brian T. Wilkie.

17. “The Formal Art of The Four Zoas” by Helen T. McNeil.

18. “Narrative Structure and the Antithetical Vision of Jerusalem” by Henry Lesnick.

19. “Blake’s Cities: Romantic Forms of Urban Renewal” by Kenneth R. Johnston.

20. “‘Forms Eternal Exist For Ever’”: The Covenant of the Harvest by E.J. Rose.

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