111 total results for “todd” (showing results 81-90)
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About a visit from Geoffrey and Margaret Keynes and various Blake gossip. (WR
168)
5. Ruthven Todd to W. Graham Robertson, 14 Jan.
20 Thomas Stothard.
Review
Songs of Innocence and Songs of Experience (Manchester Etching Workshop, 1983)
Volume 19 · Issue 1 (Summer 1985)
Blake, Songs of Innocence and of Experience: Sixteen
designs printed from electrotypes of the original plates for Ruthven Todd and Geoffrey Keynes (Chiswick
Press, 1941).
Article
Recreating Blake’s Illuminated Prints: The Facsimiles of the Manchester Etching Workshop
Volume 19 · Issue 1 (Summer 1985)
This idea, first put forth by
Ruthven Todd (“The Technique of William Blake’s Illuminated Printing,” The Print
Collector’s Quarterly, 29 [Nov. 1948], pp. 25-37), has been recently resurrected by Bo Lindberg (Review
of William Blake, Printmaker, in Blake/An Illustrated Quarterly 59, vol.
15, no. 3 [Winter 1981-82], pp. 140-48).
Windle, Oct. cat. 46, #33,
prefatory matter and 1st ballad only, “old” half morocco, “the Monckton Milnes, Earl
of Crewe, Moss, Todd, Bentley, Essick, Klemen, Lipman copy,” illus. ($89,500, sold to Northwestern
University Library).
Article
Desire Gratified and Ungratified: William Blake and Sexuality
Volume 16 · Issue 3 (Winter 1982/1983)
Article
“I also beg Mr Blakes acceptance of my wearing apparel”: The Will of Henry Banes, Landlord of 3 Fountain Court, Strand, the Last Residence of William and Catherine Blake
Volume 39 · Issue 2 (Fall 2005)
“Life of Blake” (c. 1832) refers to Henry Banes as
Blake’s “Wifes brother” (cited BR [2] 680). As Ruthven
Todd observes: “presumably
this is an error for brother-in-law”
(Gilchrist 389).
14.
(Oxford: Clarendon Press, 1964). Todd M. Endelman’s The
Jews in Georgian England, 1714-1830: Tradition and Change in a Liberal Society (Philadelphia: Jewish
Publication Society of America, 1979), focuses on Anglo-Jewish history in the time of Blake.
Article
William Blake and His Circle: A Checklist of Publications and Discoveries in 2011
Volume 46 · Issue 1 (Summer 2012)
Review
John E. Grant, Edward J. Rose, and Michael J. Tolley, eds., David V. Erdman, co-ordinating ed., William Blake’s Designs for Edward Young’s ‘Night Thoughts’: A Complete Edition
Volume 16 · Issue 2 (Fall 1982)
(London: Macmillan, 1880 [which in vol. 2 adds Shields’ important descriptions of the
NT water colors]), pp. 137, 140; 4th ed., ed. Ruthven Todd (London and
New York: J. M. Dent and E. P. Dutton, 1942), pp. 117, 120, and 117-18.
In this essay, the second of a two-part study, I focus on the last of Blake’s illuminated
books from this period, The Song of Los, The Book of Los, and The Book of
Ahania, trying to sequence them from a purely materialist perspective—by recreating the large copper
sheets from which the individual plates were cut—to see how Blake’s creative process, including changes of
mind and false starts, unfolded through production and how these particular works and their techniques might
relate to one another, to the color-printed drawings, and to the experiments in color printing that lie behind
them both. 1
*I would like to thank Robert Essick for reading an early draft of this essay and Todd
Stabley, multimedia consultant, formerly of the Center for Instructional Technology, University of North
Carolina at Chapel Hill, for his assistance in digitally recreating Blake’s copper sheets and virtual
designs.
1.